RBG
Jim Ross reviews RBG, a portrait of Ruth Bader Ginsburg’s career before and since becoming a US Supreme Court Justice.
Jim Ross reviews RBG, a portrait of Ruth Bader Ginsburg’s career before and since becoming a US Supreme Court Justice.
Director Reinaldo Marcus Green highlights a story that we’ve all seen before, in films or in the news, and tells it in a completely unique way.
BEAUTIFUL BOY is a compelling film about the difficulty addicts face in becoming clean, and the lengths a parent will go to for their child, writes Lydia Lowe.
SHORTS…TO ANIMATE is an innovative combination which will leave you stunned, writes Lydia Lowe at Cambridge Film Festival.
Maya Forbes’ slice of life drama’s joyous energy is infectious, but its melodrama prevents it from being truly emotionally impactful, writes Blake Simons.
Having seriously injured almost all of its cast and crew, ROAR will appeal to lovers of B-movie car-crash cinema
IRRATIONAL MAN has a nice freshness to it, giving the die-hard Allen fans something different, writes Garry Pope.
Frank Hall Green’s WILDLIKE uses the strong imagery of the Alaskan wilderness to propel a simple yet engaging storyline, writes Yozzie Osman.
Jeremy Saulnier’s tense and twitchy revenge drama offers plenty of suspense and a strong central performance from Macon Blair, writes Gavin Midgley.
Although SEVEN PSYCHOPATHS never hits the heights of IN BRUGES, and isn’t as clever as it purports to be, McDonagh offers a bundle of meta-movie laughs, writes Jim Ross.