Legend
Tom Hardy is on mesmerising form as both Kray twins in this violent but stylish and often funny film, writes Garry Pope.
Tom Hardy is on mesmerising form as both Kray twins in this violent but stylish and often funny film, writes Garry Pope.
Edd Elliott compares festival films.
Wahhh! Get out of our treehouse! Who wants to see a film about dungarees and mooncups?
Tom Hardy drives to Hell in Steven Knight’s economical and compelling one-man drama, writes Gavin Midgley.
Ahead of the release of the English language version of PUSHER, Joe De-Vine takes a look at the career of the original’s director – Nicolas Winding Refn, a man “insistent on being heard as a distinct voice in cinema.”
The bleak, barefoot poverty of LAWLESS may seem familiar, but John Hillcoat pairs it with an unexpected chaser of grim, blood-spattered humor writes Ann Linden
THE DARK KNIGHT RISES stumbles in places, but draws on the themes of its predecessors in a gratifying way to deliver a spectacular and emotional finale, says Jim Ross
Ahead of THE DARK KNIGHT RISES, Jim Ross takes a look the influence of Christopher Nolan’s MEMENTO – a film that has pervaded his work from INCEPTION to THE DARK KNIGHT
Chris Pine and Tom Hardy play CIA partners competing for the affections of Reese Witherspoon in director McG’s noisy romantic-comedy THIS MEANS WAR.