Asteroid City
ASTEROID CITY’s lasting gift is an emotional resonance that could act as a skeleton key to Anderson’s films, even for those who’ve previously found them cold and unapproachable. Simon Bowie reviews.
ASTEROID CITY’s lasting gift is an emotional resonance that could act as a skeleton key to Anderson’s films, even for those who’ve previously found them cold and unapproachable. Simon Bowie reviews.
A BEAUTIFUL DAY IN THE NEIGHBORHOOD provides a nostalgic window on how to process emotion, the power of forgiveness, and the complicated interior lives of those we share emotional space with.
Despite the always-engaging Tom Hanks, the themes of A HOLOGRAM FOR THE KING feel malnourished and an imitation of better films. Jim Ross reviews.
SAVING MR BANKS looks at the father-daughter relationship that inspired MARY POPPINS. Our relationships define us and the stories we tell, writes Alison Hicks.
For a film that wrings such expertly orchestrated tension from real life events, CAPTAIN PHILLIPS turns out to be surprisingly unmemorable.
“Our lives are not our own. We are bound to others, past and present.” CLOUD ATLAS weaves together of six intertwining narratives which don’t quite tie up satisfactorily, writes Florence Smith-Nicholls.
Edd Elliott offers the first in a series of cautionary tales on the topic of corporate takeovers. What does Nora Ephron have to teach us?