Nosferatu
Since its 1922 release, NOSFERATU has been subject to as much mythology and folklore as the original vampire legend itself.
All content tagged Steve Williams
Mushrooming (Seenelkäik)
Steve Williams reviews Toomas Hussar’s directorial debut MUSHROOMING, a satire on the conflict between social decency and people’s true and hidden natures.
The Color of the Chameleon
THE COLOR OF THE CHAMELEON revisits communist Bulgaria and its secret police for a highly- stylised, absurdist dark commentary. Steve Williams reviews at the Edinburgh Film Festival.
Different Strokes: Illustrious Corpses
Hannah Clarkson and Steve Williams offer opposing views on Rosi’s ILLUSTRIOUS CORPSES. Is the truth always revolutionary? There’s only one way to find out! Read on, and then let us know what you think.
Visions from Estonia: Mari Kallas
ANOTHER DIMENSION compares the lives of a superstitious old fisherwoman and a business orientated Christian pop band. We spoke to producer Mari Kallas about Estonian cinema.
Salvatore Giuliano
Black marketeer, bandit, separatist hero and murderer of innocents – the story of SALVATORE GIULIANO kicks off the Francesco Rosi season today at the Arts Picturehouse.
All Divided Selves
RD Laing is a radical, a leading figure of the counter-culture of the 60s. A guru to some – cruel alcoholic to others. Steve Williams looks at the troubled subject of Luke Fowler’s ALL DIVIDED SELVES.
Francesco Rosi: Poet of Civic Courage
Subject of a strand at this year’s Cambridge Film Festival, Steve Williams looks at Francesco Rosi – poet of civic courage, conscience of Italian cinema.
Unfair World (Adikos Kosmos)
Fillipos Tsitos’ UNFAIR WORLD reflects a world of relationships where trust has broken down. Steve Williams reviews at the Edinburgh International Film Festival.
The Ambassador
With THE AMBASSADOR, Mads Bruegger spoils us with a shocking, eye-opening, mischievous and hilarious film. Steve Williams reviews.