Song To Song
Although beautiful, Terrence Malick’s ethereal and dreamlike approach to storytelling may finally be wearing a little thin, gripes Jim Ross at the Edinburgh Film Festival.
Although beautiful, Terrence Malick’s ethereal and dreamlike approach to storytelling may finally be wearing a little thin, gripes Jim Ross at the Edinburgh Film Festival.
Remember how Sam Mendes’ SPECTRE felt like it was trying to be both a sequel to every Daniel Craig-era 007 entry as well as a big fat homage to the entire Bond franchise, but failed to do justice to any of them?
Andrew Nickolds reviews Danny Boyle’s take on STEVE JOBS.
FRANK is an entertaining and comical trip with a poignant thread running through it about the inner torment that can provide musical inspiration. Alison Hicks at Sundance London.
Steve McQueen’s third feature film is a graphic, mordant adaptation of Solomon Northup’s memoir of slavery, writes Ann Linden.
Although a heavily flawed work, hamstrung by the muddled and often lazy script, PROMETHEUS is an undeniably compelling film.
When a film starts with someone pulling strange faces, it can negatively influence the audience’s perception. David Cronenberg’s A DANGEROUS METHOD quickly proves this first impression wrong, says Max Zeh.
Ferry Hunt reviews Steve McQueen’s controversial and challenging second feature SHAME, screened at Brighton Film Festival last night.