Selected for the cult strand for the 2020 London Film Festival, is Jennifer Sheridan’s debut horror-romance, ROSE: A LOVE STORY. Elle Haywood sits down with the producers, April Kelley & Sara Huxley to speak about how the film came to life, working with the crew in a remote landscape, and why we still need to … Continue reading Interview with April Kelley & Sara Huxley→
For those worried about disappearing into an anonymous suburban hellscape, VIVARIUM will be the descent into fear and confusion it is clearly intended to be. Jim Ross reviews.
DANIEL ISN’T REAL is the story of a college freshman whose imaginary childhood friend makes a comeback – it’s an accessible and attractive story, but the film’s true strength lies in the subjective experience it offers. Rosy Hunt reviews.
Many effective horror films unsettle their characters by forming a narrative of doubt. It is this exact sense of dubiousness that I TRAPPED THE DEVIL, Josh Lobo’s feature directorial debut, uses to great effect. Ben Woodard reviews at FrightFest 2019.
THE LIGHTHOUSE is a clear demonstration of Eggers’ directorial skill and of the acting ability of Pattinson and Dafoe. Joe McLauchlan reviews from Cannes 2019.