Mank
MANK may become more of a cinematic curio in Fincher’s filmography but it has enough bite and edge here to give the film some degree of insight beyond the origin of one of cinema’s most significant works.
MANK may become more of a cinematic curio in Fincher’s filmography but it has enough bite and edge here to give the film some degree of insight beyond the origin of one of cinema’s most significant works.
Neither a complete failure nor entirely successful, ROBOCOP 2.0 scrapes a pass but can’t escape the shadow of its forebear, writes Gavin Midgley.
The bleak, barefoot poverty of LAWLESS may seem familiar, but John Hillcoat pairs it with an unexpected chaser of grim, blood-spattered humor writes Ann Linden
THE DARK KNIGHT RISES stumbles in places, but draws on the themes of its predecessors in a gratifying way to deliver a spectacular and emotional finale, says Jim Ross