Interview with Matt Sadowski
We spoke to director Matt Sadowski about his film PRETEND WE’RE KISSING, which he refers to as a “non rom-com”.
We spoke to director Matt Sadowski about his film PRETEND WE’RE KISSING, which he refers to as a “non rom-com”.
From familial concerns in LA ISLA to alien invasion in THE LANDING: Emma Wilkinson looks at the value and dexterity of short filmmaking showcased at CFF2014.
SCHOOL OF BABEL, Julie Bertuccelli’s consideration of multicultural Paris, layers the personal stories of children newly-arrived in France.
THE HYPNOTIST draws on and explores a wide variety of taboos, creating a film that both captivates and surprises, writes Emma Wilkinson.
The legacy of colonialism is explored in N: THE MADNESS OF REASON.
Hong Khaou’s LILTING reaches an important landmark within the potentially staid coming-out story framework, writes Emma Wilkinson.
Kim Mordaunt’s THE ROCKET is an adventure set in war-ravaged Laos, seen from a feisty young boy’s point of view. Charming but predictable, writes Emma Wilkinson.
As part of this year’s Watersprite, two students were given the opportunity to present short film scripts to industry specialist Jamie Wolpert, Development Executive at BFI.
Slick, dark and compelling, the latest offering from Lee Daniels is an intricate mess of romance and criminality, bringing with it graphic murders, intense arguments and brutal sexual encounters.
Hitchcock was a relentless explorer of human limitations – those of his characters, as well as those of his audience. Emma Wilkinson looks at themes of entrapment and suppression in his greatest films.