Feedback
There is clearly thought behind FEEDBACK, but its execution and lack of clarity did not translate that thought onto the screen. Sammy Andie Bennett reviews at FrightFest 2019.
There is clearly thought behind FEEDBACK, but its execution and lack of clarity did not translate that thought onto the screen. Sammy Andie Bennett reviews at FrightFest 2019.
Nobody should be lonely in 2015, with all communication settings firmly flicked to On. All the more horrific when a dead body is found in an empty home, time of death several weeks earlier…
X+Y looks set to be just the right sort of film to herald the start of springtime after a meteorologically melancholy winter, writes Jack Toye at the BFI London Film Fest.
GOD’S POCKET tells the darkly comedic tale of how a small neighbourhood is rocked by the suspicious death of a young man. James Walpole reviews.
FILTH is a superbly lurid and comedically pitch-black spiral into a man’s mental hell, with James McAvoy on perhaps his best form to date.
Although it doesn’t hit the comedic heights of its predecessors, THE WORLD’S END may be the most interesting of Edgar Wright’s homage-driven trilogy of films, writes Jim Ross.
Harry Hunt’s new favourite at the Brighton Film Fest: I, ANNA stars Charlotte Rampling, whose son directed this box ticking drama.