The Big Eden
As controversial as Rolf Eden is, THE BIG EDEN is nevertheless worth watching even for those who do not agree with his lifestyle, writes Max Zeh.
As controversial as Rolf Eden is, THE BIG EDEN is nevertheless worth watching even for those who do not agree with his lifestyle, writes Max Zeh.
Rob Reiner’s THE PRINCESS BRIDE may have turned 25 this year, but it is just as funny, heart-warming and entertaining as ever. The film begins with a little boy, ill in bed, reluctantly being read a story by his grandfather (a marvellous Peter Falk). The story is of Princess Buttercup (Robin Wright) and her true … Continue reading The Princess Bride
Pere Portabella has fashioned a film which may not simply be dismissed as experimental: WARSAW BRIDGE has a confidence and an easy visual style that belies the obscurity its content, writes Christopher Stefanowicz.
DANGER MOUSE is a relic of a time when the UK had only three national television channels, of a time when there wasn’t a lot of money around (unless you were Baron Silas Greenback). Keith Braithwaite reviews and contextualises the Cosgrove Hall favourite.
WAR WITCH: a truly remarkable film on many levels, showing in raw detail the destruction of war upon the human spirit. Mike Boyd reviews at the Cambridge Film Festival.
Although Jobs is a fascinating subject, THE LOST INTERVIEW is very tech-heavy in content and not for the casual film fan, writes Liam Jack.
Sadistic and painful, seductive and playful: SANTA SANGRE is an eye-popping visual adventure that proves how imaginative cinema can be, writes H. Chan.
With a cleverly woven plot and authentic performances, particularly from the mesmerising Alina Levshin, COMBAT GIRLS is incredibly watchable, even though the drama occasionally resorts to cliché, writes Lillie Davidson.
Sarah Longfield reviews SPRITES 11, a collection of 18 short films, pop videos and animations hand-picked by digital arts organisation onedotzero, showing as part of the Family Film Festival.
V.O.S. portrays a film being filmed within a film, where the four principal characters are also the actors who play them. Bridget Bradshaw attempts to untangle Cesc Gay’s original rom-com.