The Dead Don’t Die
THE DEAD DON’T DIE is not groundbreaking, but Jim Jarmusch manages to breathe some new life into the (un)dead genre. Joe McLauchlan reviews from Cannes 2019.
THE DEAD DON’T DIE is not groundbreaking, but Jim Jarmusch manages to breathe some new life into the (un)dead genre. Joe McLauchlan reviews from Cannes 2019.
ISLE OF DOGS doesn’t quite scale Wes Anderson’s recent heights, this engaging stop motion animation and Bryan Cranston’s performance are an absolute joy. Jim Ross reviews at Glasgow Film Festival 2018.
What, who and why female Ghostbusters?
THE GRAND BUDAPEST HOTEL is a delightful chocolate box of a film, with Wes Anderson beginning to show his artistic soul, writes Jim Ross
THE MONUMENTS MEN, although entertaining in spurts, wastes an excellent premise and extremely talented cast with an uneven tone and script, writes Jim Ross
While it’s easy for Bill Murray to play against type, it might not be so easy for the audience to accept, writes Harry Hunt.
Jim Ross takes in MOONRISE KINGDOM, Wes Anderson’s latest film, and wouldn’t hesitate in recommending it – even to Anderson sceptics.