THE BEARS’ FAMOUS INVASION OF SICILY does not only entertain and fascinate, it also wishes to educate its young and adult audiences alike. It is sure to leave an impression after its viewing, writes Yemi Chabi from Cannes 2019.
Although a lively mishmash of racial issues, politics, music gatherings, and espionage vibes, BLACK IS BELTZA cares more about adding iconic names of the 60s than delivering a coherent narrative. Serena Scateni reviews at Edinburgh Spanish Film Festival.
SHORTS…TO ANIMATE is an innovative combination which will leave you stunned, writes Lydia Lowe at Cambridge Film Festival.
ISLE OF DOGS doesn’t quite scale Wes Anderson’s recent heights, this engaging stop motion animation and Bryan Cranston’s performance are an absolute joy. Jim Ross reviews at Glasgow Film Festival 2018.
SONG OF THE SEA is a fun and beautiful Irish indie animation from Tomm Moore and Cartoon Saloon, soon to be released on Blu-Ray, VOD and DVD.
Nick Kitchin reviews the short film ONE NIGHT IN HELL for the 35th Cambridge Film Festival
“It didn’t seem possible that anybody could be running a major studio and having a sideline in porn – who would have the energy?”
We spoke to Toby Froud, whose puppet fairytale LESSONS LEARNED is one of our favourite short films at CFF this year.
Jon Toomey steps outside the mainstream with the exquisite THE GRAVEDIGGER’S TALE, which explores the wider cultural and emotional impact of mortality.
Dolphin Burger Studios is a group of disabled animators based in Brighton. We spoke to director Harry Hunt about their latest project, a remake of Peter Gabriel’s SLEDGEHAMMER video.
