Oppenheimer
There are no more significant potential ramifications than the end of the world, and that awful looming mushroom cloud haunts every frame of OPPENHEIMER’s tense and emotionally violent portrait.
There are no more significant potential ramifications than the end of the world, and that awful looming mushroom cloud haunts every frame of OPPENHEIMER’s tense and emotionally violent portrait.
Another year, another Terry Gilliam slice of imaginative dystopian hell: THE ZERO THEOREM still feels a bit humdrum for a director who is a visionary at his best.
THE MONUMENTS MEN, although entertaining in spurts, wastes an excellent premise and extremely talented cast with an uneven tone and script, writes Jim Ross
Fabulously gay, darling! For about the first half, anyway. And then BEHIND THE CANDELABRA turns into a slightly dreary tale of human weakness and failure, writes Keith Braithwaite.
Title aside, on the surface there is plenty in this life-story to tickle anticipation: the return of Cameron Crowe; the ever-entertaining Matt Damon and Scarlett Johansson; and plenty of animals and kids. What could possibly go wrong?