THE BEARS’ FAMOUS INVASION OF SICILY does not only entertain and fascinate, it also wishes to educate its young and adult audiences alike. It is sure to leave an impression after its viewing, writes Yemi Chabi from Cannes 2019.
A LONG DAY’S JOURNEY INTO NIGHT is an existential and introspective journey for its protagonist, meticulously choreographed by director Gan Mi. Yemi Chabi reviews at International Film Festival Rotterdam 2019.
Elegant little period shocker, with a nicely modulated performance by Vincent Price, and which gives a whole new meaning to ‘Buzz-Kill’, writes Stephen Watson.
Hitchcock’s only 3D film, now re-released, has points of interest but otherwise remains an unexceptional entry in the director’s career, writes Gavin Midgley.
SIDE BY SIDE is a fascinating and insightful look at the debates raging in the creative process as the digital revolution continues to evolve, writes Jim Ross.
SIDE BY SIDE is a fascinating new documentary, featuring interviews led by Keanu Reeves, looking at the rise of digital technology in filmmaking. Jim Ross spoke to director Chris Kenneally about the film and the discussion it highlights.
Despite some annoyingly blunt and simplistic narrative elements, Ang Lee’s LIFE OF PI is the work of a master visual storyteller, writes Jim Ross.
Jim Shanks reviews Dreamworks’ PUSS IN BOOTS. If you enjoy this post, please make a donation to Cambridge Blue Cross Animal Shelter. Just £1 will buy a homeless ginger cat two pairs of tiny boots, and £5 will buy him an épée. It’s a tough world out there.
