• just5

    Saturday, May 21, 2016 ·

    Sombre, reflective and as divisive as ever at the Cannes Film Festival, Jack Toye reviews Xavier Dolan’s latest feature

    It’s Only The End Of The World

  • bernadette

    Saturday, May 21, 2016 ·

    Director of Watersprite Film Festival 2016, Bernadette Schramm, on her work with Refugee Voices In Film at the 69th Cannes Film Festival

    Interview with Bernadette Schramm

  • harbour

    Thursday, May 19, 2016 ·

    There’s a whole lotta diary days going on in Cannes for our roving reporter, Jack Toye

    Cannes Diary 2016: Days 4, 5,6,7

  • Captain1

    Wednesday, May 18, 2016 ·

    An intelligent trip into a counterculture family drama, Jack Toye reviews CAPTAIN FANTASTIC at the 69th Cannes Film Festival

    Captain Fantastic

  • rahma

    Monday, May 16, 2016 ·

    A chance meeting at the 69th Cannes Film Festival with Rahma Rachdi, led our reporter, Jack Toye, to a new perspective on what it is to attend this prestigious event

    Accessible Cannes: Interview with Rahma Rachdi

  • Stayin1

    Saturday, May 14, 2016 ·

    If you stand tall, the wolves won’t attack. Jack Toye reviews Alain Guiraudie’s latest feature, in competition at the Cannes Film Festival

    Staying Vertical

  • redcarpet

    Saturday, May 14, 2016 ·

    A rolling stone gathers no moss they say, and the days at this year’s Cannes Film Festival keep on rolling by, as Jack Toye discovers

    Cannes Diary 2016: Days 2 & 3

  • green room feature

    Saturday, May 14, 2016 ·

    Andrew Nickolds reviews Jeremy Saulnier’s latest thriller GREEN ROOM.

    Green Room

quartet
Tuesday, October 16, 2012

Quartet

The novelty of venerated stars using swear words and subverting their reputation as treasured thespians glosses over a thin premise in Dustin Hoffman’s directorial debut, writes Ed Frost.

Untouchable | TakeOneCFF.com
Tuesday, October 16, 2012

Untouchable

Despite the warmth generated by the leads, UNTOUCHABLE is an asinine and cloying film full of cliches and irritating stereotypes, writes Jim Ross.

BOMB by Sally Potter
Tuesday, October 16, 2012

Ginger & Rosa

Sally Potter’s GINGER & ROSA uses the unease of the Cuban Missile Crisis as a metaphor for the frantic disillusionment two young girls face in this emotionally charged adolescent drama.

fra
Monday, October 15, 2012

Francine

Flowing and mysterious, whilst never lowering itself to cliché or offering easy answers to its protagonist’s reintegration with life and love, FRANCINE excels by doing very little, writes Ed Frost.

RABFeat
Sunday, October 14, 2012

Rust and Bone

With RUST AND BONE, Jacque Audiard journeys further into the inner workings of damaged souls, writes Edward Frost at the London Film Festival.

GrassrootsFeat
Saturday, October 13, 2012

Grassroots

GRASSROOTS glosses over the methodologies of local politics, whilst saying precious little about the story it imbues with tepid dramatic license, writes Edward Frost at London Film Festival.

AMOURFeat
Saturday, October 13, 2012

Amour

AMOUR offers evidence that, much like his protagonists, Michael Haneke is growing old gracefully and bringing his unfettered filmmaking along with him. Edward Frost reviews at London Film Festival

West Of Memphis | BFI London Film Festival | TakeOneCFF.com
Saturday, October 13, 2012

West of Memphis

WEST OF MEMPHIS is an engrossing depiction of an American phenomenon, where the shocking case of the West Memphis Three is examined by director Amy Berg, writes Ed Frost at London Film Festival.

WajdaFeat
Saturday, October 13, 2012

Wadjda

Delicately and effortlessly directed, WADJDA is an assured and understated gem of a film telling the tale of a ten year old Saudi Arabian girl, writes Edward Frost at London Film Festival.

My Brother The Devil | BFI London Film Festival | TakeOneCFF.com
Saturday, October 13, 2012

My Brother The Devil

Sally El Hosaini’s confident debut takes original and tactful steps in a gritty depiction of dangerous games played by two members of an Egyptian family living in Hackney, writes Ed Frost.