• Steve Jobs feature

    Friday, November 20, 2015 ·

    Andrew Nickolds reviews Danny Boyle’s take on STEVE JOBS.

    Steve Jobs

  • the closer we get feature

    Saturday, November 7, 2015 ·

    Edd Elliott interviews Karen Guthrie about her new release THE CLOSER WE GET.

    Karen Guthrie Interview – The Closer We Get

  • 2015_SONGO

    Thursday, November 5, 2015 ·

    SONG OF THE SEA is a fun and beautiful Irish indie animation from Tomm Moore and Cartoon Saloon, soon to be released on Blu-Ray, VOD and DVD.

    Song of the Sea

  • 2015_WARRI

    Thursday, November 5, 2015 ·

    WARRIORS is part DODGEBALL-type underdog story, part travelogue and part polemic – Andrew Nickolds explains it all.


  • SPECTRE Review | TAKE ONE | TakeOneCFF.com |

    Wednesday, November 4, 2015 ·

    SPECTRE is as entertaining as Bond would be, but relies on older films and wants to have its cake and eat it too. Jim Ross reviews.

    SPECTRE Review

  • 2015_WAIT

    Monday, November 2, 2015 ·

    Presented at the London Film Festival in the “First Feature Film” category, THE WAIT is a delicate tale about a mother’s grief after losing her only son.

    The Wait

  • 2015_SUNSET

    Saturday, October 17, 2015 ·

    SUNSET SONG is a romantic and intimate tale that portrays the life of Chris Guthrie during the Great War that changed so many lives.

    Sunset Song

  • 2015_FRAME

    Friday, October 16, 2015 ·

    Even though the reality for these professional photographers is harsh and filled with danger, in this documentary there is also space for hope.

    Frame by Frame

Friday, September 21, 2012

Hands Over The City (Le Mani Sulla Città)

Following SALVATORE GIULIANO, the story of the Sicilian separatist cum bandit, Francesco Rosi focuses on the speculative land boom of his native Naples with HANDS OVER THE CITY. Mark Byrnes reviews.

Friday, September 21, 2012

George Perry on Hitchcock

This year the festival invited George Perry to give a talk on Alfred Hitchcock before a screening of VERTIGO. Hitchcock’s popularity has never really faded, and Perry is something of a character himself, writes H. Chan.

Friday, September 21, 2012

Surprise Film

A stunning opening leads to a moving film full of suspense, surprises and shocking truths which touch to the core. The annual SURPRISE FILM screens on Sunday 23rd at 5pm. Hannah Clarkson reviews.

Friday, September 21, 2012

Visions from Estonia

If you ask people from the Cambridge area, or even the UK, very few will be able to say they’ve seen an Estonian film. From viewing VISIONS FROM ESTONIA, the real filmmaking talent lies in animation, writes Jack McCurdy.

Call Me Kuchu 1 Dogwoof Documentary(1)
Thursday, September 20, 2012

Call Me Kuchu

CALL ME KUCHU: In Uganda, not only is a law to outlaw homosexual activity being advocated and supported by important members of the government, but being a homosexual or a ‘Kuchu’, is feared and reviled. Mike Boyd reviews.

Thursday, September 20, 2012

Guinea Pigs

Even if you’re not a horror fan, the scenario depicted in GUINEA PIGS is bound to intrigue you. It should be noted that no actual guinea pigs were harmed during the making of this film, writes Lucy Sheppard.

Thursday, September 20, 2012

Bert Stern: Original Madman

Bert Stern is effectively two men, writes Daniel Harling – celebrated photographer and troubled depressive. In Original Madman, we are granted access to this enthralling man.

Thursday, September 20, 2012

Tridentfest 2012

If you had the misfortune to miss the brilliant TRIDENTFEST 2012, let CFF know there’s a demand by tweeting them @camfilmfest or by commenting on the festival site. Rosy Hunt reviews.

Thursday, September 20, 2012

The Mattei Affair

Intriguing and mysterious, fascinating and suspicious: THE MATTEI AFFAIR is a case reconstruction which investigates Italian businessman Enrico Mattei’s death, writes H. Chan.

Thursday, September 20, 2012

The World According to Irving

The World According to Garp author John Irving is the subject of Andre Schafer’s film. A rare and delightful opportunity to enter a creative mind at work, writes Hannah Clarkson.