• childhood1

    Thursday, June 23, 2016 ·

    Don’t throw stones in a fragile post-WWI European glasshouse! Jack Toye reviews THE CHILDHOOD OF A LEADER at Edinburgh International Film Festival.

    The Childhood Of A Leader

  • ZERO_2016

    Wednesday, June 22, 2016 ·

    Revealing the cyber-warfare trump card behind America’s military prowess. John Cheshire reviews Alex Gibney’s latest documentary at the Edinburgh International Film Festival.

    Zero Days

  • MRPIG_2016

    Wednesday, June 22, 2016 ·

    What do you get when a 75 year old man goes on the run with a hog in a van? Taking similarities from Hákonarson’s RAMS, MR PIG serves both human and porcine humour.

    Mr Pig

  • Bugs1

    Sunday, June 19, 2016 ·

    Lock up your stick insects! The Nordic Food Lab are coming! Jack Toye reviews Andreas Johnsen’s BUGS at Edinburgh International Film Festival


  • JOANN_2016

    Monday, June 13, 2016 ·

    Mike O’Brien spoke to filmmaker Joanna Hogg: “a daring and mischievous artist, and a major British talent whose next move will be intriguing.”

    Interview with Joanna Hogg

  • just5

    Saturday, May 21, 2016 ·

    Sombre, reflective and as divisive as ever at the Cannes Film Festival, Jack Toye reviews Xavier Dolan’s latest feature

    It’s Only The End Of The World

  • bernadette

    Saturday, May 21, 2016 ·

    Director of Watersprite Film Festival 2016, Bernadette Schramm, on her work with Refugee Voices In Film at the 69th Cannes Film Festival

    Interview with Bernadette Schramm

  • harbour

    Thursday, May 19, 2016 ·

    There’s a whole lotta diary days going on in Cannes for our roving reporter, Jack Toye

    Cannes Diary 2016: Days 4, 5,6,7

Saturday, October 13, 2012

Spike Island

Although amiable and lively, SPIKE ISLAND’s evocation of a bygone era resembles music videos at their most flashy and uninvolving, writes Ed Frost at London Film Festival.

Laurence Anyways | BFI London Film Festival | TakeOneCFF.com
Saturday, October 13, 2012

Laurence Anyways

Despite its aesthetic qualities and an incredibly honed auteurist signature, Xavier Dolan’s LAURENCE ANYWAYS fails to deliver a worthwhile conclusion , writes Ed Frost at London Film Festival.

Friday, October 12, 2012

Sister (L’enfant D’en Haut)

SISTER is a straightforward and tender film that depicts a simple tale of survival, and the bonds that tie its protagonists together, writes Ed Frost at the BFI London Film Fest.

Friday, October 12, 2012

Interview with William Fowler

Anthony Davis spoke to BFI curator William Fowler, who presented a collection of films by the British artist and eccentric, Bruce Lacey, at the Cambridge Film Festival this year.

Friday, October 12, 2012

The Samurai That Night (Sono Yoru no Samurai)

Masaaki Akahori’s debut film brings a novel approach to the samurai subgenre, playing out the story of good versus evil a peculiar and introspective level, writes Ed Frost at the BFI London Film Festival.

Wednesday, October 10, 2012

Room 237

Rodney Ascher’s ROOM 237 is a lively documentary that gives voice to a variety of remarkable theories that call into question Kubrick’s intentions with THE SHINING, writes Ed Frost at London Film Festival.

Wednesday, October 10, 2012

The Hunt

With THE HUNT, Thomas Vinterberg has created a masterful film full of emotional nuance and heartbreaking tension, writes Ed Frost at the London Film Festival.

Wednesday, October 10, 2012

Robot & Frank

ROBOT AND FRANK is a dutiful shot in the arm to science fiction, calmly addressing a range of prescient topics without flashy aesthetics, writes Ed Frost at the London Film Festival.

BFI London Film Festival | TakeOneCFF.com
Wednesday, October 10, 2012

London Film Festival Preview

The BFI London Film Festival kicks off today, Ed Frost takes a short look at what is in store until October 21st. Check in with TAKE ONE for reviews of films screening at the festival.

The Perks Of Being A Wallflower | TakeOneCFF.com
Friday, October 5, 2012

The Perks Of Being A Wallflower

THE PERKS OF BEING A WALLFLOWER is a perfectly pitched drama, that captures much of the adolescent experience without sacrificing a character story, writes Jim Ross