• a-kind-of-loving

    Tuesday, August 9, 2016 ·

    Studiocanal and Emfoundation are pleased to announce the release of a new restoration of the 1962 classic A KIND OF LOVING. Andrew Nickolds reviews.

    A Kind Of Loving

  • WEINE_2016

    Monday, July 4, 2016 ·

    Andrew Nickolds reviews WEINER, a fast paced verite film that unfolds like a modern Shakespearean tragedy.


  • HOMOS2_2016

    Wednesday, June 29, 2016 ·

    HOMO SAPIENS will take you on reflective journey that encourages you to relish your inner thoughts, and contemplate what it really means to be human.

    Homo Sapiens

  • TakeOneCFF.com

    Tuesday, June 28, 2016 ·

    Jim Ross examines how the movie universes being created will eventually collapse, and be subject to the same science and laws as our own universe

    Heat Death of the Movie Universe

  • childhood1

    Thursday, June 23, 2016 ·

    Don’t throw stones in a fragile post-WWI European glasshouse! Jack Toye reviews THE CHILDHOOD OF A LEADER at Edinburgh International Film Festival.

    The Childhood Of A Leader

  • ZERO_2016

    Wednesday, June 22, 2016 ·

    Revealing the cyber-warfare trump card behind America’s military prowess. John Cheshire reviews Alex Gibney’s latest documentary at the Edinburgh International Film Festival.

    Zero Days

  • MRPIG_2016

    Wednesday, June 22, 2016 ·

    What do you get when a 75 year old man goes on the run with a hog in a van? Taking similarities from Hákonarson’s RAMS, MR PIG serves both human and porcine humour.

    Mr Pig

  • The Nice Guys | TakeOneCFF.com

    Monday, June 20, 2016 ·

    THE NICE GUYS doesn’t break any moulds and is obviously a Shane Black creation – but that is precisely why it’s good. Jim Ross reviews.

    The Nice Guys

Saturday, October 13, 2012


GRASSROOTS glosses over the methodologies of local politics, whilst saying precious little about the story it imbues with tepid dramatic license, writes Edward Frost at London Film Festival.

Saturday, October 13, 2012


AMOUR offers evidence that, much like his protagonists, Michael Haneke is growing old gracefully and bringing his unfettered filmmaking along with him. Edward Frost reviews at London Film Festival

West Of Memphis | BFI London Film Festival | TakeOneCFF.com
Saturday, October 13, 2012

West of Memphis

WEST OF MEMPHIS is an engrossing depiction of an American phenomenon, where the shocking case of the West Memphis Three is examined by director Amy Berg, writes Ed Frost at London Film Festival.

Saturday, October 13, 2012


Delicately and effortlessly directed, WADJDA is an assured and understated gem of a film telling the tale of a ten year old Saudi Arabian girl, writes Edward Frost at London Film Festival.

My Brother The Devil | BFI London Film Festival | TakeOneCFF.com
Saturday, October 13, 2012

My Brother The Devil

Sally El Hosaini’s confident debut takes original and tactful steps in a gritty depiction of dangerous games played by two members of an Egyptian family living in Hackney, writes Ed Frost.

Saturday, October 13, 2012


Although the remake of PUSHER is a striking visual contrast to the original, nothing on the scale of Winding Refn’s trilogy is ever wholly achieved, writes Joe De-Vine.

Saturday, October 13, 2012

Spike Island

Although amiable and lively, SPIKE ISLAND’s evocation of a bygone era resembles music videos at their most flashy and uninvolving, writes Ed Frost at London Film Festival.

Laurence Anyways | BFI London Film Festival | TakeOneCFF.com
Saturday, October 13, 2012

Laurence Anyways

Despite its aesthetic qualities and an incredibly honed auteurist signature, Xavier Dolan’s LAURENCE ANYWAYS fails to deliver a worthwhile conclusion , writes Ed Frost at London Film Festival.

Friday, October 12, 2012

Sister (L’enfant D’en Haut)

SISTER is a straightforward and tender film that depicts a simple tale of survival, and the bonds that tie its protagonists together, writes Ed Frost at the BFI London Film Fest.

Friday, October 12, 2012

Interview with William Fowler

Anthony Davis spoke to BFI curator William Fowler, who presented a collection of films by the British artist and eccentric, Bruce Lacey, at the Cambridge Film Festival this year.