Friday, July 5, 2013

Disability Sport And Art Festival 2013

The films screened as part of the Disability Sport and Art Festival 2013 range from the insightful and poignant to the enjoyably barmy, writes Dan Harling.

Thursday, July 4, 2013

A Field In England: Multi-Platform Release

Toby Miller of Cambridge 105’s Bums On Seats interviewed City Screen’s Gabriel Swartland about the film’s multi-platform release.

Tuesday, July 2, 2013


It occasionally slides into contrived whimsy but this biopic offers plenty of pretty escapism, writes Hannah Clarkson.

Monday, July 1, 2013

Stories We Tell

Polley’s examination of the nature of truth and the fragility of memory is remarkably effective and makes for absorbing viewing, writes Dan Harling.

Friday, June 28, 2013

My Dog Killer (Moj Pes Killer)

MY DOG KILLER is not a film about right-wing extremism in Eastern Europe, rather it is about the consequences of neglect on humanity, writes Steve Williams.

Thursday, June 27, 2013

Frankenstein’s Army

You’d be correct in expecting gore from this film. An enjoyable, if guilty spectacle, writes Paul Milne at the Edinburgh Film Festival.

Wednesday, June 26, 2013

Mushrooming (Seenelkäik)

Steve Williams reviews Toomas Hussar’s directorial debut MUSHROOMING, a satire on the conflict between social decency and people’s true and hidden natures.

Tuesday, June 25, 2013


Low-key absurdity, atmospheric isolation and melancholic anti-thrills. Paul Milne reviews Vahid Vakilifar’s TABOOR at the Edinburgh International Film Festival.

Monday, June 24, 2013

Before Midnight

What happens to Jesse and Celine after they walk into the sunset? Their climactic interaction is darkly sincere and immensely entertaining, writes Lillie Davidson.

Sunday, June 23, 2013

The Color of the Chameleon

THE COLOR OF THE CHAMELEON revisits communist Bulgaria and its secret police for a highly- stylised, absurdist dark commentary. Steve Williams reviews at the Edinburgh Film Festival.