• light1

    Sunday, February 15, 2015 ·

    Anthony Davis speaks to John Farrugia, the general manager of the new Light Cinema in Cambridge.

    Light Cinema Cambridge

  • Ehsan Khoshbakht

    Saturday, February 14, 2015 ·

    Day 4 of Jack’s Berlinale diary, in which Jack washes his hands in magic soap, braves a baying Wenders throng and ends up in a queue quandary.

    Jack’s Berlinale Diary #4

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  • electrica

    Saturday, February 14, 2015 ·

    The year is 2017. 100 years have passed since the Russian Revolution, and the landscape of UNDER ELECTRIC CLOUDS is in every sense clouded and cold.

    Under Electric Clouds

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  • aswewere1

    Friday, February 13, 2015 ·

    Andreas Dresen’s tale, about a gang of childhood friends growing up in the suburbs of a reunified Germany in the early 90s, stomps and thrashes its way on to the big screen at Berlinale.

    As We Were Dreaming

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  • misfits

    Thursday, February 12, 2015 ·

    We spoke to Jannik Splidsboel at Berlinale about his film MISFITS, an LGBT coming-of-age documentary set in conservative Tulsa.

    Interview with Jannik Splidsboel

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  • misfit2

    Wednesday, February 11, 2015 ·

    Jannik Splidsboel’s documentary, MISFITS, focusses on the challenging lives of three LGBT teenagers who use The Open Arms Youth Centre, Tulsa as their meeting place.

    Misfits

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  • berl1

    Tuesday, February 10, 2015 ·

    “There comes a point at a festival where you just tell yourself to quit whilst you’re ahead. And who takes their boyfriend to a rubbish tip to make out?!”

    Jack’s Berlinale Diary #3

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  • koc

    Tuesday, February 10, 2015 ·

    KNIGHT OF CUPS is the seventh film in esteemed director Malick’s formidable cinematic canon, but does it live up to the hype that surrounds it at Berlinale 2015?

    Knight of Cups

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Kreuzweg
Sunday, September 7, 2014

Stations of the Cross

STATIONS OF THE CROSS is a rigorously structured and shot parable about a teenage girl’s single-minded devotion to her Christian faith.

nc2
Sunday, September 7, 2014

20,000 Days On Earth

20,000 DAYS ON EARTH has the feel of a hallucinatory interview, according to Carya Maharja.

watermark feature
Saturday, September 6, 2014

Watermark

Although repetitive, WATERMARK has all the capability to sweep the audience away, according to Carya Maharja.

corners2
Saturday, September 6, 2014

Four Corners

‘They say you can learn more from a game you lose than a game you win. That’s how I got here’. Hannah Clarkson reviews FOUR CORNERS.

bowery1
Saturday, September 6, 2014

On the Bowery

ON THE BOWERY is revolutionary for its time, inspiring the likes of John Cassavetes in terms of film production, shooting and dramatic methods.

Violet | TakeOneCFF.com
Saturday, September 6, 2014

Violet

VIOLET is a confident feature debut from Bas Devos, with a strength lying in its visual storytelling, writes Jim Ross at CFF34.

canal1
Saturday, September 6, 2014

The Canal

Ivan Kavanagh’s THE CANAL is a combination of classic and modern horror story, giving it a new sharper edge, writes Rohan Ilet.

nwf2
Saturday, September 6, 2014

Night Will Fall

NIGHT WILL FALL is a remarkable film about an incredibly complex and difficult subject. Andre Singer and his research team tell a powerful story.

we are many featured
Saturday, September 6, 2014

Interview: Amir Amirani – WE ARE MANY

James Walpole speaks to Amir Amirani about his film, WE ARE MANY.

Josef (Jonatan Bökman) och Erik Maria Bark (Mikael Persbrandt)
Saturday, September 6, 2014

The Hypnotist

THE HYPNOTIST draws on and explores a wide variety of taboos, creating a film that both captivates and surprises, writes Emma Wilkinson.