Katrina Smith reviews a collection of Sci Fi themed shorts that exhibit varying visions of bleak futures, and alternative presents.
A documentary on large-scale farming practices that emotionally engages the more it strives to remain objective.
Mike Levy recounts the highlights from Sonja Heiss’s Q&A following HEDI SCHNEIDER GETS STUCK.
Ireland-set horror that gives into conventional shocks after a remarkable, unsettling first half-hour.
This documentary about the troubled redesign of Amsterdam’s Rijksmuseum is as much about local politics and bureaucracy as it is about the museum’s masterpieces.
Live accompanist Neil Brand helped the action flow for STEAMBOAT BILL JUNIOR, screened at the Cambridge Film Festival.
AS WE WERE DREAMING maybe be generic, but it has enough fun and firepower to entertain most, writes Jim Moore.
WASTE LAND is the final part of Pieter Van Hees’s trilogy ANATOMY OF LOVE AND PAIN.
What does cinema know that we don’t?
Tom Hardy is on mesmerising form as both Kray twins in this violent but stylish and often funny film, writes Garry Pope.