20,000 DAYS ON EARTH has the feel of a hallucinatory interview, according to Carya Maharja.
Although repetitive, WATERMARK has all the capability to sweep the audience away, according to Carya Maharja.
‘They say you can learn more from a game you lose than a game you win. That’s how I got here’. Hannah Clarkson reviews FOUR CORNERS.
ON THE BOWERY is revolutionary for its time, inspiring the likes of John Cassavetes in terms of film production, shooting and dramatic methods.
VIOLET is a confident feature debut from Bas Devos, with a strength lying in its visual storytelling, writes Jim Ross at CFF34.
Ivan Kavanagh’s THE CANAL is a combination of classic and modern horror story, giving it a new sharper edge, writes Rohan Ilet.
NIGHT WILL FALL is a remarkable film about an incredibly complex and difficult subject. Andre Singer and his research team tell a powerful story.
James Walpole speaks to Amir Amirani about his film, WE ARE MANY.
THE HYPNOTIST draws on and explores a wide variety of taboos, creating a film that both captivates and surprises, writes Emma Wilkinson.
WILL AND TESTAMENT is a moving portrait of the life and times of a remarkable man; a voice against the prevailing tide of political thinking, writes Nick Kitchin.