FOREST_2017
Tuesday, October 24, 2017

The Forest of the Lost Souls

A black and white Portuguese horror combining old-school style with enough blood-letting to satisfy horror aficionados, writes April McIntyre.

Rescue Under Fire Feat
Tuesday, October 24, 2017

Rescue Under Fire

RESCUE UNDER FIRE is a tense, energetic tale of courage and fortitude, writes Ben Johnston.

120 BPM Feat
Monday, October 23, 2017

120 BPM

120 BPM might be the first film to successfully capture the larger experience of HIV and AIDS sufferers while not losing sight of their struggle on a personal level, writes Mark Liversidge.

WELL1_2017
Monday, October 23, 2017

Well

Four sex workers and two gangsters walk into a gas station… Sounds like a setup for a Quentin Tarantino film? WELL certainly has its share of humour and cartoonish violence, writes Noel Megahey

INTHE1_2017
Monday, October 23, 2017

In the Same Boat

The theme of Catalan director Rudy Gnutti’s latest work is no less than the future of mankind (spoiler alert: some hope – but not that much).

No Lands Song Feat
Sunday, October 22, 2017

No Land’s Song

A thought-provoking look at women’s rights in Iran, through the power of the female voice.

lingur
Sunday, October 22, 2017

Q&A with the director of RIFT

Q&A with Erlingur Thoroddsen, the director of RIFT, hosted by Rosy Hunt, at the Cambridge Film Festival 2017

Tonight She Comes Feat
Sunday, October 22, 2017

Tonight She Comes

TONIGHT SHE COMES is a smorgasbord of over-the-top gore, sex, evil hillbillies, satanic blood sacrifices and the supernatural, writes April McIntyre.

IAMAS1_2017
Sunday, October 22, 2017

Microcinema: I am a Spy

Are we the spies, or the spied upon? How does the personal become public and the public become personal?

VICTO_2017
Saturday, October 21, 2017

Victoria & Abdul

VICTORIA & ABDUL is a British feel-good film with an uncomfortable undertone of historical revisionism, writes Ben Jones.