Andrew Bujalski’s bizarre curio raises big questions about technology and the nature of intelligence, writes Jim Moore.
Spike Lee’s remake of OLDBOY is a noble yet pointless and perfunctory attempt to retell the story for the subtitle-phobic, writes Patrick Fowler.
Dark, witty and utterly inspired, Švankmajer’s FAUST is a work of maniacal genius, writes Hannah Clarkson.
Alexander Payne demonstrates a humanity that has defined his career with his warm, humorous road movie NEBRASKA, writes Andrew Nickolds.
Say what you like about Francois Ozon: he constantly manages to wrong-foot you, writes Andrew Nickolds.
SAVING MR BANKS looks at the father-daughter relationship that inspired MARY POPPINS. Our relationships define us and the stories we tell, writes Alison Hicks.
Cambridge Arts Picturehouse is celebrating 50 years of filmmaking by the Czech surrealist Jan Švankmajer with a season of special screenings.
Coming straight off his starring role in Godard’s A BOUT DE SOUFFLE, Belmondo here plays a more conventional type of crook in CLASSE TOUS RISQUES.
Stephen Frears’ emotional crowdpleaser boasts a memorable partnership in Steve Coogan and Judi Dench, writes Gavin Midgley.
Such a shame that great films like SO YOUNG, which show how Chinese culture has moved with the times, are not picked up by UK distributors, writes H. Chan.