• 120 BPM Feat

    Monday, October 23, 2017 ·

    120 BPM might be the first film to successfully capture the larger experience of HIV and AIDS sufferers while not losing sight of their struggle on a personal level, writes Mark Liversidge.

    120 BPM

  • WELL1_2017

    Monday, October 23, 2017 ·

    Four sex workers and two gangsters walk into a gas station… Sounds like a setup for a Quentin Tarantino film? WELL certainly has its share of humour and cartoonish violence, writes Noel Megahey

    Well

  • INTHE1_2017

    Monday, October 23, 2017 ·

    The theme of Catalan director Rudy Gnutti’s latest work is no less than the future of mankind (spoiler alert: some hope – but not that much).

    In the Same Boat

  • No Lands Song Feat

    Sunday, October 22, 2017 ·

    A thought-provoking look at women’s rights in Iran, through the power of the female voice.

    No Land’s Song

  • lingur

    Sunday, October 22, 2017 ·

    Q&A with Erlingur Thoroddsen, the director of RIFT, hosted by Rosy Hunt, at the Cambridge Film Festival 2017

    Q&A with the director of RIFT

  • Tonight She Comes Feat

    Sunday, October 22, 2017 ·

    TONIGHT SHE COMES is a smorgasbord of over-the-top gore, sex, evil hillbillies, satanic blood sacrifices and the supernatural, writes April McIntyre.

    Tonight She Comes

  • IAMAS1_2017

    Sunday, October 22, 2017 ·

    Are we the spies, or the spied upon? How does the personal become public and the public become personal?

    Microcinema: I am a Spy

  • VICTO_2017

    Saturday, October 21, 2017 ·

    VICTORIA & ABDUL is a British feel-good film with an uncomfortable undertone of historical revisionism, writes Ben Jones.

    Victoria & Abdul

Raw (2017) | TAKE ONE
Wednesday, April 12, 2017

Raw

RAW is an intense and undefinable blend of skilled shotmaking, ramping discomfort and disturbing juxtapositions that mixes carnivores with the carnal to enormous effect. Jim Ross reviews.

FREEFA_2017
Saturday, April 1, 2017

Free Fire

Continuing his recent string of genre defying hits, director Ben Wheatley takes a scenario usually reserved for the finale – the tense firefight – and stretches it out into ninety minutes of famous actors crawling around on a dusty warehouse floor, yelling insults and firing off potshots at each other. The biggest surprise that emerges [...]

Fences | TAKE ONE | TakeOneCFF.com
Tuesday, March 28, 2017

Fences

FENCES is a powerful and engaging family drama, but it always seems a little fenced in cinematically by its theatrical origin. Jim Ross reviews.

wheaties1
Tuesday, March 28, 2017

Interview with Ben Wheatley

Ben Johnston speaks to Ben Wheatley ahead of the Cambridge Picturehouse screening of his latest film FREE FIRE.

AQUIE_2
Friday, March 24, 2017

A Quiet Dream

On Monday 27 March, the Cambridge Arts Picturehouse will play host to the first in a series of sneak previews of the London Korean Film Festival.

GETOUT1_2017
Tuesday, March 21, 2017

Get Out

Jordan Peele’s first feature as director is a confident step away from his previous television exploits: Mad TV (2002) and Key & Peele (2012), throwing off his sketch-show jacket and donning a more provocative and thoughtful attire. While still holding on to his satirical voice, Peele allows the film to linger within the fringes of [...]

JOHNN1_2017
Wednesday, March 15, 2017

Last Word In Edgeways

We spoke to Simon Rumley about his film JOHNNY FRANK GARRETT’S LAST WORD, set for release on March 14th after screening at Cambridge Film Festival last year.

Moonlight | TAKE ONE | TakeOneCFF.com |
Tuesday, March 14, 2017

Moonlight

MOONLIGHT is not a portrait painted in broad brushstrokes, but a tapestry – any one strand can be admired for its own technique and qualities, but standing back to observe the whole is where the power lies. Jim Ross reviews.

LOGAN1_2017
Tuesday, March 14, 2017

Logan

LOGAN tells an involving and impactful story, with Hugh Jackman’s send off the best use of a superhero property in years. Jim Ross reviews.

CAMER_2017
Tuesday, March 14, 2017

Cameraperson

Johnson’s personal memoir, made up of other people’s stories, offers an incredibly insightful look into the reality of documentary filmmaking.

anglia.ac.uk/openday