• Every Secret Thing | Tribeca Film Festival | TakeOneCFF.com

    Thursday, April 24, 2014 ·

    Although engaging and well-acted, EVERY SECRET THING lacks the visual imagination to take it up a level. Jim Ross writes from Tribeca.

    Every Secret Thing

    Tribeca Film Festival | TakeOneCFF.com
  • Locke | TakeOneCFF.com

    Thursday, April 24, 2014 ·

    Tom Hardy drives to Hell in Steven Knight’s economical and compelling one-man drama, writes Gavin Midgley.


  • glove

    Wednesday, April 23, 2014 ·

    On 30 April Crispin Glover will be at Cambridge APH performing a one-hour dramatic narration of his profusely illustrated books followed by a screening of his 35mm film, a Q&A session and a book signing.

    Crispin Glover comes to Cambridge

  • belfastfilm

    Sunday, April 13, 2014 ·

    If one of the roles of a good film festival is to restore your faith in cinema, the Belfast Film Festival does just that, writes Noel Megahey.

    Belfast Film Festival 2014

  • double

    Thursday, April 10, 2014 ·

    Richard Ayoade’s THE DOUBLE is one of the most dull, yet unutterably infatuating films Jack McCurdy has watched in a long time.

    The Double

  • filmed

    Wednesday, April 9, 2014 ·

    FILMED UP is a new filmmakers’ showcase devised by Cornerhouse Manchester. Jack Stocker reviews some of the shorts that made it onto the March programme.

    Filmed Up

  • kis

    Tuesday, April 8, 2014 ·

    If you enjoyed A STORY OF CHILDREN AND FILM please take the chance to meet one of the greatest icons of Iranian cinema!

    Meet Mohammad Ali Talebi

  • borgman2

    Wednesday, April 2, 2014 ·

    Noel Megahey wonders whether Warmerdam’s modern-day troglodyte is a Lynchian icon of subconscious furies, or a Haneke-like threat to middle-class complacency…


Tuesday, December 17, 2013

Interview with Laura Colella

We spoke to the writer/director/editor of BREAKFAST WITH CURTIS: a film Paul Thomas Anderson called “a smile from beginning to end”.

Blue Is the Warmest Colour | TakeOneCFF.com
Friday, December 13, 2013

Blue Is the Warmest Colour

Abdellatif Kechiche’s Palme d’Or-winning drama is an extraordinarily vivid portrayal of the highs and lows of love, writes Gavin Midgley.

Monday, December 9, 2013


Brownlow’s beautiful and brilliant restoration of Gance’s NAPOLEON (1927) is an eye-popping spectacle, writes Amanda Randall.

Computer Chess | TakeOneCFF.com
Sunday, December 8, 2013

Computer Chess

Andrew Bujalski’s bizarre curio raises big questions about technology and the nature of intelligence, writes Jim Moore.

Friday, December 6, 2013


Spike Lee’s remake of OLDBOY is a noble yet pointless and perfunctory attempt to retell the story for the subtitle-phobic, writes Patrick Fowler.

Tuesday, December 3, 2013

Faust (Jan Švankmajer)

Dark, witty and utterly inspired, Švankmajer’s FAUST is a work of maniacal genius, writes Hannah Clarkson.

Tuesday, December 3, 2013


Alexander Payne demonstrates a humanity that has defined his career with his warm, humorous road movie NEBRASKA, writes Andrew Nickolds.

Sunday, December 1, 2013

Jeune et Jolie

Say what you like about Francois Ozon: he constantly manages to wrong-foot you, writes Andrew Nickolds.

Saturday, November 30, 2013

Saving Mr Banks

SAVING MR BANKS looks at the father-daughter relationship that inspired MARY POPPINS. Our relationships define us and the stories we tell, writes Alison Hicks.

Saturday, November 23, 2013

Švankmajer Season

Cambridge Arts Picturehouse is celebrating 50 years of filmmaking by the Czech surrealist Jan Švankmajer with a season of special screenings.