• light1

    Sunday, February 15, 2015 ·

    Anthony Davis speaks to John Farrugia, the general manager of the new Light Cinema in Cambridge.

    Light Cinema Cambridge

  • Ehsan Khoshbakht

    Saturday, February 14, 2015 ·

    Day 4 of Jack’s Berlinale diary, in which Jack washes his hands in magic soap, braves a baying Wenders throng and ends up in a queue quandary.

    Jack’s Berlinale Diary #4

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  • electrica

    Saturday, February 14, 2015 ·

    The year is 2017. 100 years have passed since the Russian Revolution, and the landscape of UNDER ELECTRIC CLOUDS is in every sense clouded and cold.

    Under Electric Clouds

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  • aswewere1

    Friday, February 13, 2015 ·

    Andreas Dresen’s tale, about a gang of childhood friends growing up in the suburbs of a reunified Germany in the early 90s, stomps and thrashes its way on to the big screen at Berlinale.

    As We Were Dreaming

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  • misfits

    Thursday, February 12, 2015 ·

    We spoke to Jannik Splidsboel at Berlinale about his film MISFITS, an LGBT coming-of-age documentary set in conservative Tulsa.

    Interview with Jannik Splidsboel

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  • misfit2

    Wednesday, February 11, 2015 ·

    Jannik Splidsboel’s documentary, MISFITS, focusses on the challenging lives of three LGBT teenagers who use The Open Arms Youth Centre, Tulsa as their meeting place.

    Misfits

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  • berl1

    Tuesday, February 10, 2015 ·

    “There comes a point at a festival where you just tell yourself to quit whilst you’re ahead. And who takes their boyfriend to a rubbish tip to make out?!”

    Jack’s Berlinale Diary #3

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  • koc

    Tuesday, February 10, 2015 ·

    KNIGHT OF CUPS is the seventh film in esteemed director Malick’s formidable cinematic canon, but does it live up to the hype that surrounds it at Berlinale 2015?

    Knight of Cups

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palo alto 2
Thursday, September 18, 2014

Student Review: Palo Alto

Although amusing and thought provoking at times, Gia Coppola’s directorial debut drives toward style over substance, writes Katrina Smith.

shadow 2
Wednesday, September 17, 2014

Shadows

John Cassavetes’ semi-improvised debut film still has an immediacy and realism that outpaces many modern indies, writes Jim Moore.

The Day the Earth Caught Fire | TakeOneCFF.com
Tuesday, September 16, 2014

The Day the Earth Caught Fire

In anticipation of the BFI’s forthcoming Sci-Fi season, Gavin Midgley looks back at a landmark British entry in the genre.

crossing points feature
Saturday, September 13, 2014

Crossing Points

CROSSING POINTS explores the memory of space and its atmosphere, according to Hannah Clarkson.

view
Friday, September 12, 2014

The View From Our House

THE VIEW FROM OUR HOUSE is as much about what is unseen, as what is depicted, according to Hannah Clarkson.

We are many feature 3
Friday, September 12, 2014

We Are Many

WE ARE MANY gives a new perspective on the 2003 protests, but could maybe do with a bit more balance, according to James Walpole.

Last Emperor feature
Wednesday, September 10, 2014

The Last Emperor 3D

THE LAST EMPEROR 3D is a worthy conversion that enhances the film thematically as well as visually, according to James Walpole.

Amour Fou feature
Tuesday, September 9, 2014

Amour Fou

AMOUR FOU sends its audience into contortions with its stifling uneasiness, according to Edd Elliott.

mary1
Monday, September 8, 2014

Short Fusion: Connection

The CONNECTIONS strand of shorts at CFF explored the links and bonds between families; strangers; the person someone was and the one they may become.

before i go to sleep cover
Monday, September 8, 2014

Interview: Rowan Joffe & Steven J. Watson

Lizzie Scourfield talks to the minds behind BEFORE I GO TO SLEEP, director Rowan Joffe, and the writer of the novel, Steven J Watson.