• 120 BPM Feat

    Monday, October 23, 2017 ·

    120 BPM might be the first film to successfully capture the larger experience of HIV and AIDS sufferers while not losing sight of their struggle on a personal level, writes Mark Liversidge.

    120 BPM

  • WELL1_2017

    Monday, October 23, 2017 ·

    Four sex workers and two gangsters walk into a gas station… Sounds like a setup for a Quentin Tarantino film? WELL certainly has its share of humour and cartoonish violence, writes Noel Megahey

    Well

  • INTHE1_2017

    Monday, October 23, 2017 ·

    The theme of Catalan director Rudy Gnutti’s latest work is no less than the future of mankind (spoiler alert: some hope – but not that much).

    In the Same Boat

  • No Lands Song Feat

    Sunday, October 22, 2017 ·

    A thought-provoking look at women’s rights in Iran, through the power of the female voice.

    No Land’s Song

  • lingur

    Sunday, October 22, 2017 ·

    Q&A with Erlingur Thoroddsen, the director of RIFT, hosted by Rosy Hunt, at the Cambridge Film Festival 2017

    Q&A with the director of RIFT

  • Tonight She Comes Feat

    Sunday, October 22, 2017 ·

    TONIGHT SHE COMES is a smorgasbord of over-the-top gore, sex, evil hillbillies, satanic blood sacrifices and the supernatural, writes April McIntyre.

    Tonight She Comes

  • IAMAS1_2017

    Sunday, October 22, 2017 ·

    Are we the spies, or the spied upon? How does the personal become public and the public become personal?

    Microcinema: I am a Spy

  • VICTO_2017

    Saturday, October 21, 2017 ·

    VICTORIA & ABDUL is a British feel-good film with an uncomfortable undertone of historical revisionism, writes Ben Jones.

    Victoria & Abdul

beg
Thursday, May 25, 2017

The Beguiled

Would you let a blue-bellied Yankee-doodle dandy into your school for girls? John Cheshire reviews Sofia Coppola’s latest feature film, premiering at the 70th edition of the Cannes Film Festival.

howto
Wednesday, May 24, 2017

How To Talk To Girls At Parties

Punk rock rules! There are extra-terrestrial goings on in Croydon as John Cheshire discovers, reviewing John Cameron Mitchell’s latest feature film at Cannes Film Festival.

the-killing-of-a-sacred-deer-poster
Monday, May 22, 2017

The Killing Of A Sacred Deer

An eye for an eye. Is it time to break up the nuclear family to balance the scales of justice? Jack Toye reviews the latest feature film from Greek auteur director Yorgos Lanthimos at the 70th edition of the Cannes Film Festival.

HARDAR_2017
Monday, May 22, 2017

Harry’s Festival Experience

The first diary entry from Harry Jones, one of the two ARU student journalists who won a place with Take One at this year’s Cannes Film Festival.

johnbanner
Monday, May 22, 2017

Cannes 2017 Diary #1

It’s John Cheshire’s first foray down to the South of France and the 70th Edition of the Cannes Film Festival. What will he find, and which films will he see? Read his diary entry here!

OKJA_2017
Sunday, May 21, 2017

Okja

This year’s Cannes Film Festival has sparked a certain degree of controversy around its inclusion of films produced by Netflix, one of which is acclaimed South Korean director Bong Joon-ho’s sixth directorial project, OKJA. Concerning itself with the peaceful life of farm girl Mija (Ahn Seo-Hyun) and her giant pet pig Okja, the film follows [...]

FRANT_2017
Sunday, May 21, 2017

Frantz

Appropriately for a sombre story set after the First World War and adapted from Ernst Lubitsch’s 1932 melodrama BROKEN LULLABY, Francois Ozon shoots most of FRANTZ in a glowing monochrome, except for the plentiful moments of high emotion, when the film blossoms into colour (rather like Gary Ross’s 1998 film PLEASANTVILLE, where colour represents sexual [...]

BLADE_2017
Thursday, May 18, 2017

Blade of the Immortal

Takashi Miike’s samurai bloodbath is an exhilarating, bloody action thrill ride that will live long in the memory, writes Harry Jones at the Cannes Film Festival.

THELE_2017
Monday, May 15, 2017

The Levelling

The waterlogged fields and blighted farmland of Somerset provide The Levelling’s director, Hope Dickson Leach with the perfect setting for her debut feature. An unsettling, realist drama with the Somerset levels as its backdrop. The story follows Clover (Ellie Kendrick) who returns to the family dairy farm following the sudden suicide of her brother Harry [...]

SUSP_2017
Thursday, May 11, 2017

An Italian with a movie camera

As Dario Argento’s cult classic Suspiria (1977) is on its way to re-boot central this year, let’s take a look back at the giallo and horror filmmaker as we come full circle with the impending re-make of one of his most iconic films. Suspiria, a film, before watching it, audiences had likely caught glimpses of [...]

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