Tudor Giurgiu is one of the very few directors who make genre films which are not only not horrible, but actually good, pleasing audiences and critics alike.
Ben Dalton, Edd Elliott and man of many talents Dave Riley return to the CamFM studio to talk The Long Way Home, The Marina Cafe, TridentFest and Lech Majewski.
Kotting combines a variety of techniques and styles and blends heart, humour and education to a film bursting with personality and charm, writes Harry Jones.
The developer of the Economic Confidence Model, economist Martin Armstrong claims that the rise and fall of a nation can be predicted by his formula.
Stephen Watson speaks to Kyle Rideout about his film EADWEARD, a drama focusing on a period in the life of pioneering photographer Eadweard Muybridge.
Though not without faults or bizarre accents, this ambitious, low-budget film about pioneering photographer Eadweard Muybridge has much to recommend it.
Maya Forbes’ slice of life drama’s joyous energy is infectious, but its melodrama prevents it from being truly emotionally impactful, writes Blake Simons.
The latest found footage horror from South America takes a different perspective on its chills, writes Mark Liversidge.
Gamboa and Barberini’s fiery performances brilliantly represent the relatable story of young lovers struggling to regain a lost intimacy by any means necessary.
Plenty of initial spark but the drama fails to maintain its sizzle. Lillie Davidson reviews THE CHAMBERMAID LYNN.