The 2006 remastered version of THE HARDER THEY COME is an inspired fusion of exploitation film, neorealist drama and musical, writes Jim Moore.
Stephen Watson offers an introduction to Lech Majewski’s visually inspiring and intellectually stimulating cinematic works, screening at CFF2015
Ben Dalton, Edd Elliott and Lillie Davidson talk DARKNESS ON THE EDGE OF TOWN, WHY ME?, THE CHAMBERMAID LYNN and foot fetishes.
Having seriously injured almost all of its cast and crew, ROAR will appeal to lovers of B-movie car-crash cinema
Lots of smiles and enthusiasm, but Edd Elliot isn’t totally sold on SWEETHEARTS OF THE GRIDIRON.
STREET KIDS UNITED 2 inspires with the sporting passion of its protagonists whilst retaining its political impact.
“Adrenaline pumping with a side of swoon”… “Visually offensive, yet spectacular”… Jack McCurdy reviews the MOTION strand of CFF’s Short Fusion
Anime, revenge and sadomasochism come together to form a tangled web in Carlos Vermut’s second feature-length thriller.
Ben Dalton, Edd Elliott and Mark Liversidge review ME AND EARL AND THE DYING GIRL, THE LESSON and egg-static POACHED
Katrina Smith reviews a collection of Sci Fi themed shorts that exhibit varying visions of bleak futures, and alternative presents.