The quiet drama of THE PATIENCE STONE makes for a powerful viewing experience, writes Amanda Randall.
Steve McQueen’s third feature film is a graphic, mordant adaptation of Solomon Northup’s memoir of slavery, writes Ann Linden.
Rosy Hunt reviewed DISTURBIA at Cambridge Film Festival in 2007. Just a quick note to show that we knew a long time ago that Shia LaBoeuf was feeble.
Justin Chadwick’s superficial overview of the late icon’s life fails to do justice to its subject, writes Gavin Midgley.
Read the Cambridge Q&A from award winning comedian Josie Long’s Let’s Go Adventure tour, which came to the Arts Picturehouse in November.
“Pure random genius.” Alison Hicks sent us this report on whether the ANCHORMAN sequel lived up to its cult predecessor.
Re-released as part of the BFI’s Gothic strand, THE INNOCENTS is a work of haunting resonance, writes Gavin Midgley.
We spoke to the writer/director/editor of BREAKFAST WITH CURTIS: a film Paul Thomas Anderson called “a smile from beginning to end”.
Abdellatif Kechiche’s Palme d’Or-winning drama is an extraordinarily vivid portrayal of the highs and lows of love, writes Gavin Midgley.
Brownlow’s beautiful and brilliant restoration of Gance’s NAPOLEON (1927) is an eye-popping spectacle, writes Amanda Randall.