• light1

    Sunday, February 15, 2015 ·

    Anthony Davis speaks to John Farrugia, the general manager of the new Light Cinema in Cambridge.

    Light Cinema Cambridge

  • Ehsan Khoshbakht

    Saturday, February 14, 2015 ·

    Day 4 of Jack’s Berlinale diary, in which Jack washes his hands in magic soap, braves a baying Wenders throng and ends up in a queue quandary.

    Jack’s Berlinale Diary #4

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  • electrica

    Saturday, February 14, 2015 ·

    The year is 2017. 100 years have passed since the Russian Revolution, and the landscape of UNDER ELECTRIC CLOUDS is in every sense clouded and cold.

    Under Electric Clouds

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  • aswewere1

    Friday, February 13, 2015 ·

    Andreas Dresen’s tale, about a gang of childhood friends growing up in the suburbs of a reunified Germany in the early 90s, stomps and thrashes its way on to the big screen at Berlinale.

    As We Were Dreaming

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  • misfits

    Thursday, February 12, 2015 ·

    We spoke to Jannik Splidsboel at Berlinale about his film MISFITS, an LGBT coming-of-age documentary set in conservative Tulsa.

    Interview with Jannik Splidsboel

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  • misfit2

    Wednesday, February 11, 2015 ·

    Jannik Splidsboel’s documentary, MISFITS, focusses on the challenging lives of three LGBT teenagers who use The Open Arms Youth Centre, Tulsa as their meeting place.

    Misfits

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  • berl1

    Tuesday, February 10, 2015 ·

    “There comes a point at a festival where you just tell yourself to quit whilst you’re ahead. And who takes their boyfriend to a rubbish tip to make out?!”

    Jack’s Berlinale Diary #3

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  • koc

    Tuesday, February 10, 2015 ·

    KNIGHT OF CUPS is the seventh film in esteemed director Malick’s formidable cinematic canon, but does it live up to the hype that surrounds it at Berlinale 2015?

    Knight of Cups

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cali2
Monday, October 13, 2014

The Cabinet of Dr Caligari

Silent horror classic back from the dead!

adieu2
Sunday, October 12, 2014

Goodbye to Language 3D

Where does philosophy live in a world where we are saying goodbye to language? Perhaps it lies in the re-emergence of 3D in cinema?

gallery2
Saturday, October 11, 2014

National Gallery

Spend three hours in the National Gallery and there is absolutely no way you will cover as many of the goings-on as Wiseman’s documentary offers.

the social network feature
Friday, October 10, 2014

Fincher Retrospective: Class, Revolution and The Social Network

Edd Elliott considers the class connotations underlying David Fincher’s THE SOCIAL NETWORK.

spark featured
Thursday, October 2, 2014

Spark: A Burning Man Story

SPARK: A BURNING MAN STORY’s enthusiasm begins delightful and ends sour, according to Arjun Sajip.

Come back africa features
Tuesday, September 30, 2014

Come Back, Africa

COME BACK, AFRICA is a historical document worth remembering and re-watching, according to Arjun Sajip.

weall2
Saturday, September 27, 2014

We All Want What’s Best For Her

Mar Coll and Nora Navas have crafted a sympathetic and human portrait of a woman in crisis, writes Rebecca Naughten.

west1
Sunday, September 21, 2014

West

Christian Schwochow’s 1970s-set period drama explores the Cold War division of the country, whose legacy is still felt within Germany today.

landing
Saturday, September 20, 2014

CFF Shorts: Twins 2

From familial concerns in LA ISLA to alien invasion in THE LANDING: Emma Wilkinson looks at the value and dexterity of short filmmaking showcased at CFF2014.

sleep
Friday, September 19, 2014

Student Review: Before I Go To Sleep

BEFORE I GO TO SLEEP is a well-structured, skilfully acted thriller which loses its effectiveness after it places its cards on the table, writes Elliot Wright.