Hannah Clarkson reviews Stephen Brown’s intense adaptation of John Banville novel THE SEA.
Although Peschel might have placed a higher value on subtext, the film won healthy applause at Cambridge Film Festival, writes Joe DeVine.
FREE FALL (Freier Fall) boldly channels BROKEBACK MOUNTAIN in an industry that hasn’t fully buried the hatchet, writes Joe DeVine.
Lucy Mulloy’s pulsating debut feature offers urgent drama as well as winning nuggets of light relief, writes Richard Hensby.
Raising many issues without ever forcing opinions, Young Critic, Josh Flowers looks at DIRTY WARS
Young Critic, Abbie Loosemore reviews Stefan Georgiou’s quirky, British romantic comedy.
Hannah Clarkson sees the best and worst of human nature in THE HOUSE WITH A TURRET.
Apocaromanceadrama HOW I LIVE NOW is another sideways tonal and genre leap for director Kevin Macdonald, writes Jim Ross.
For over ten years the war in Afghanistan has plagued our television screens, broadcasting terror across the globe. But how much do we really know?
“…a philosophical story of the extremes of love and youth.” Rosie Brookes reviews PRINCE AVALANCHE