Spend three hours in the National Gallery and there is absolutely no way you will cover as many of the goings-on as Wiseman’s documentary offers.
Edd Elliott considers the class connotations underlying David Fincher’s THE SOCIAL NETWORK.
SPARK: A BURNING MAN STORY’s enthusiasm begins delightful and ends sour, according to Arjun Sajip.
COME BACK, AFRICA is a historical document worth remembering and re-watching, according to Arjun Sajip.
Mar Coll and Nora Navas have crafted a sympathetic and human portrait of a woman in crisis, writes Rebecca Naughten.
Christian Schwochow’s 1970s-set period drama explores the Cold War division of the country, whose legacy is still felt within Germany today.
From familial concerns in LA ISLA to alien invasion in THE LANDING: Emma Wilkinson looks at the value and dexterity of short filmmaking showcased at CFF2014.
BEFORE I GO TO SLEEP is a well-structured, skilfully acted thriller which loses its effectiveness after it places its cards on the table, writes Elliot Wright.
Although amusing and thought provoking at times, Gia Coppola’s directorial debut drives toward style over substance, writes Katrina Smith.
John Cassavetes’ semi-improvised debut film still has an immediacy and realism that outpaces many modern indies, writes Jim Moore.