Jon Toomey steps outside the mainstream with the exquisite THE GRAVEDIGGER’S TALE, which explores the wider cultural and emotional impact of mortality.
The ICA Artists’ Moving Image Network offers an ongoing series of screenings of new and rarely seen artist film and video work, at Manchester’s Cornerhouse.
In June 2012, Gruff Rhys of popular combo Super Furry Animals announced his second investigative concert tour of the Americas. His previous tour was the subject of SEPARADO!, in which Gruff searched South America for his long-lost uncle Rene. AMERICAN INTERIOR climbs further up the family tree and out onto its flimsiest branches, in a [...]
British Horror doesn’t get much more weird and subversive than BLOOD ON SATAN’S CLAW, according to Edd Elliott.
‘TIL MADNESS DO US PART is a world of delirium but also of sensation, patiently exposed by the director, Wang Bin. Tianyi Shen reviews at EIFF.
Closer to MYSTERIOUS SKIN than CLUELESS in its treatment of American teenagers, PALO ALTO is a fine calling card for another member of the talented Coppola clan.
Tilda Swinton is a joy to hate but Bong Joon-Ho’s editing lets down the weird and wonderful SNOWPIERCER, screened at Edinburgh International Film Festival.
A little-seen gem of a movie, with a captivating young lead and ground-breaking style, writes Sarah Lambert.
Screened at the Cameo Picturehouse as part of the EIFF shorts programme, YOUTH IN FLAMES illustrates the burning bright nature of adolescence.
Kat Candler’s debut feature HELLION is a mature study on the breakdown in a family following the crumbling away of parental responsibility, writes Jack Toye.