“The material side of the movie is nothing compared to the warmth put there by the people who made it.” We speak to the co-director and lead actor of CHERRY TOBACCO.
With unique access to the recordings of Ted Hughes reading what he considered his masterpiece, this film tells the story of CROW – a dark reworking of the Genesis story.
Horror needs to be tactile and tangible, according to Hiu M. Chan, in her review of HOUSE OF WAX.
The bar is high for MONSTERS UNIVERSITY, but it doesn’t completely fail, according to Lizzie Scourfield.
“Youth” comedy can often feel forced. PETIT FRÈRE, however, feels easy and fresh. Robbie Griffiths spoke to director Rémi St-Michel about his short film.
Woollen tank-tops have never looked so cool, writes Edd Elliott.
We spoke to Kris Swanberg about her short BABY MARY, in which a little girl in Chicago takes a neglected toddler under her wing.
CHARLIE SAYS tells the brooding story of a young boy, and the consequences of a (relatively) innocent lie he tells while on holiday with his family. See it at CFF2014.
A film where nothing (and yet everything) happens, Cesc Gay’s FICTION is intensely – and authentically – romantic, writes Rebecca Naughten. See it at CFF2014.
Elegant little period shocker, with a nicely modulated performance by Vincent Price, and which gives a whole new meaning to ‘Buzz-Kill’, writes Stephen Watson.