“No one does an intro and Q and A quite like Peter Greenaway,” says Mike Levy, reporting back from the CFF screening of EISENSTEIN IN GUANAJUATO.
The director of DANCE IRANIAN STYLE claims he wanted to avoid a sob story, but was there no way to anchor a fiction film in realism while avoiding sentimentalism?
Marc Garcia played Judas in ALL THE WAYS OF GOD, a modern-dress morality play. We spoke to him with programmer Ramon Lamarca.
Set just before the financial crisis of 2008, the characters in LIFE IN A FISHBOWL are as dysfunctional as Iceland’s banking system became.
This amazing film is for anyone whose father did the same job all his life, worked in all weathers, cared more for your happiness than his own.
Elliot Wright reviews Sinisa Dragin’s story of Romania and its relations with Yugoslavia after the end of World War 2.
A man wrongly imprisoned for more than a decade on fraud charges is released in 2011, undeterred from his work in economics.
This film dealing with a poet’s urge to self-destruct is often unexpectedly, if darkly, funny.
UNTIL I LOSE MY BREATH’s bleakness is its virtue and its fault, writes Sarah Longfield.
Get those tissues ready: it’s the last Take One On Air of 2015. Edd Elliott and Ben Dalton give their round up of this year’s Cambridge Film Festival.