Visionary director LECH MAJEWSKI discusses his latest trilogy and the role of painting and philosophy in his work.
Lech Majewski takes a step of discovery into the art of Peter Bruegel to stunning visual effect, writes Mark Liversidge.
Raising children is hard, even more so when you suffer from manic depression. Despite the challenges a film like this would pose, INFINITELY POLAR BEAR tackles them head on. Maggie (Zoe Saldana) has 2 daughters with husband Cam (Mark Ruffalo) who has bipolar disorder. When Maggie leaves for university, it’s up to him to take [...]
Tudor Giurgiu is one of the very few directors who make genre films which are not only not horrible, but actually good, pleasing audiences and critics alike.
Ben Dalton, Edd Elliott and man of many talents Dave Riley return to the CamFM studio to talk The Long Way Home, The Marina Cafe, TridentFest and Lech Majewski.
Kotting combines a variety of techniques and styles and blends heart, humour and education to a film bursting with personality and charm, writes Harry Jones.
The developer of the Economic Confidence Model, economist Martin Armstrong claims that the rise and fall of a nation can be predicted by his formula.
Stephen Watson speaks to Kyle Rideout about his film EADWEARD, a drama focusing on a period in the life of pioneering photographer Eadweard Muybridge.
Though not without faults or bizarre accents, this ambitious, low-budget film about pioneering photographer Eadweard Muybridge has much to recommend it.
Maya Forbes’ slice of life drama’s joyous energy is infectious, but its melodrama prevents it from being truly emotionally impactful, writes Blake Simons.