TRAINWRECK opens with a woman in her underwear, making out with a guy and talking dirty. But this film could not be more different from others of its ilk.
Bel Powley stars in this coming of age sex drama.
Edinburgh Filmhouse’s chief projectionist David Boyd offers a fascinating insight into how things work behind the scenes at the Edinburgh Film Fest.
MAKING WAVES is not only a portrait of the artist Marc Quinn, but Gerry Fox gives a sense of the huge range of work that he does.
Emily Greenwood creates what she would call ‘intelligent mainstream’. We spoke to her about her short, the captivating and original COLD WARRIOR.
Chus de Castro’s LOVE CRISIS spreads a message filled with hope for the worldwide financial crisis, with an approach that’s sociological rather than political.
Alison Hicks reviews THE VOICES, and speaks to creator Marjane “Persepolis” Satrapi about this surprisingly funny film featuring an abundance of body parts stacked in Tupperware.
Jake Gavin’s treatment of homelessness, HECTOR, sits somewhere between CATHY COME HOME and THE FISHER KING, writes Jack Toye.
McKellen’s Holmes is where the heart is, writes Xanthe Gilmore.
“You can’t go cutting down them there trees, because there’s mythical creatures you’re really going to annoy!” Jack Toye reviews THE HALLOW.