• The Day the Earth Caught Fire | TakeOneCFF.com

    Tuesday, September 16, 2014 ·

    In anticipation of the BFI’s forthcoming Sci-Fi season, Gavin Midgley looks back at a landmark British entry in the genre.

    The Day the Earth Caught Fire

  • crossing points feature

    Saturday, September 13, 2014 ·

    CROSSING POINTS explores the memory of space and its atmosphere, according to Hannah Clarkson.

    Crossing Points

    CFF2
  • view

    Friday, September 12, 2014 ·

    THE VIEW FROM OUR HOUSE is as much about what is unseen, as what is depicted, according to Hannah Clarkson.

    The View From Our House

    CFF2
  • We are many feature 3

    Friday, September 12, 2014 ·

    WE ARE MANY gives a new perspective on the 2003 protests, but could maybe do with a bit more balance, according to James Walpole.

    We Are Many

    CFF2
  • tasting menu featured

    Friday, September 12, 2014 ·

    TASTING MENU suffers from a lack of identity, according to James Walpole.

    Tasting Menu

    CFF2
  • Last Emperor feature

    Wednesday, September 10, 2014 ·

    THE LAST EMPEROR 3D is a worthy conversion that enhances the film thematically as well as visually, according to James Walpole.

    The Last Emperor 3D

    CFF2
  • Amour Fou feature

    Tuesday, September 9, 2014 ·

    AMOUR FOU sends its audience into contortions with its stifling uneasiness, according to Edd Elliott.

    Amour Fou

    CFF2
  • mary1

    Monday, September 8, 2014 ·

    The CONNECTIONS strand of shorts at CFF explored the links and bonds between families; strangers; the person someone was and the one they may become.

    Short Fusion: Connection

    CFF2
sunday2
Saturday, September 6, 2014

People on Sunday

Pianist Neil Brand and percussionist Jeff Davenport provided a wonderfully jazz-age underscore that caught the shifting moods of PEOPLE ON SUNDAY, writes Mike Levy.

umw
Saturday, September 6, 2014

Dylan on Dylan/Under Milk Wood

‘To begin at the beginning: It is spring, moonless night in the small town, starless and bible-black’

Gerhard lamprecht | TakeOneCFF.com
Saturday, September 6, 2014

Interview: Lamprecht’s elegant realism

Toby Miller speaks to BFI silent cinema curator Bryony Dixon on the Gerhard Lamprecht films playing at CFF34.

distancia1
Friday, September 5, 2014

The Distance

Caballero finds glimmers of human truth and dark comedy among the freakish, but if his goal was to entertain, it’s one he’s achieved admirably, writes Mark Liversidge.

peter-de-rome
Friday, September 5, 2014

Peter De Rome Grandfather Of Gay Porn

De Rome’s love is infectious and convincing; we need pornography as much as we need novels, writes Ben Dalton.

ida2
Friday, September 5, 2014

Ida

Pawlikowski’s IDA is intuitive and intelligent and courageous, and it is hard to ask for more, writes Diana Leca

people to each other feature
Friday, September 5, 2014

People to Each Other

PEOPLE TO EACH OTHER proves an uneven piece of social commentary, according to Stephen Watson.

violette featured
Friday, September 5, 2014

Violette

Emmanuelle Devos’ performance is at the heart of VIOLETTE, according to Hannah Clarkson.

in order of disappearance features
Friday, September 5, 2014

In Order of Disappearance

IN ORDER OF DISAPPEARANCE is a strong thriller with a streak of dark comedy, according Liam Woodcock.

joy of man's desiring featured
Friday, September 5, 2014

Joy of Man’s Desiring

The factory of JOY OF MAN’S DESIRING is other worldly, its insights almost post-human, according to Ben Dalton.