• gat2

    Wednesday, May 22, 2013 ·

    Mixed performances and a mismanaged soundtrack balanced by a powerful denouement: Dan Harling reviews Baz Luhrmann’s interpretation of THE GREAT GATSBY.

    The Great Gatsby

  • quizcover

    Tuesday, May 21, 2013 ·

    Print and radio join forces as Take One and Cambridge 105 co-host a new film quiz on the first Monday of every month. Expect the unexpected from 7pm to 10pm in the APH bar.

    Arts Picturehouse Film Quiz

  • ran9

    Saturday, May 18, 2013 ·

    Kurosawa’s RAN forces us into a cool intellectual appraisal of bloody vengeance, betrayal, and moral collapse, writes Keith Braithwaite.

    Ran

  • Mud | TakeOneCFF.com

    Thursday, May 16, 2013 ·

    Strong performances and a confident tone mark out this highly enjoyable slice of Southern Gothic, writes Gavin Midgley.

    Mud

  • bgd2

    Tuesday, May 14, 2013 ·

    On Bank Holiday Sunday, porn classic BEHIND THE GREEN DOOR forms the backdrop to the first of a series of decadent cabaret/fine dining events brought to you by Green Door productions.

    Behind the Green Door

  • I'm So Excited | TakeOneCFF.com

    Friday, May 10, 2013 ·

    Pedro Almodovar’s latest is like a glass of cheap Cava, writes Gavin Midgley: fizzy and fun while it lasts, but mostly forgettable and nothing to write home about.

    I’m So Excited

  • fff1

    Sunday, May 5, 2013 ·

    These eco-activists bagged £100,000 in one year, to save South American rainforests. But does Michał Marczak’s doc show them as a bunch of hypocritical trustafarians?

    Fuck For Forest

  • lacaptive

    Wednesday, May 1, 2013 ·

    This month’s theme is lesbian Belgian directors. Chantal Akerman hates labels but fits the bill. We look back at her drowsy meditation on Proustian obsession, LA CAPTIVE.

    La Captive

the-monkeys-paw
Saturday, April 20, 2013

British Silents 2013

On the 20th April, British Silents and BFI presented an all day programme of London-related film at London’s Cinema Museum. Keith Braithwaite describes the experience.

Boccacciofront
Friday, April 19, 2013

Boccaccio ’70

At the Queen’s Film Theatre in Belfast, the Belfast Film Festival overlaps with the Italian Film Festival this week. Rosy Hunt looks back at a classic Italian anthology film.

One Mile Away | TakeOneCFF.com
Thursday, April 18, 2013

One Mile Away

Penny Woolcock’s inner-city gang documentary humanises people who have been demonised for too long, writes Gavin Midgley.

Michael Grigsby | TakeOneCFF.com
Wednesday, April 17, 2013

Interview with Rebekah Tolley

Gavin Midgley speaks to producer Rebekah Tolley about the making of acclaimed documentary WE WENT TO WAR and its director Michael Grigsby.

movies-the-place-beyond-the-pines-still-3
Tuesday, April 16, 2013

The Place Beyond The Pines

An overly ambitious, sprawling drama with commendable performances. At the heart of THE PLACE BEYOND THE PINES there is an engaging film, but it is lost in an abundance of narrative.

albemuth2 copy
Sunday, April 14, 2013

Radio Free Albemuth

RADIO FREE ALBEMUTH, which screened at Belfast Film Festival, is the closest we’ve seen yet to Philip K. Dick’s vision being put on the screen, writes Noel Megahey.

gatek2
Saturday, April 13, 2013

Gatekeepers

The greatest triumph of GATEKEEPERS is the filmmaker’s ability to persuade the former heads of Israel’s Secret Service to speak so openly, writes Sarah McIntosh.

We Went To War | TakeOneCFF.com
Friday, April 12, 2013

We Went To War

Michael Grigsby’s final film is an outstanding and immensely moving examination of the true cost of war, writes Gavin Midgley.