“You can’t go cutting down them there trees, because there’s mythical creatures you’re really going to annoy!” Jack Toye reviews THE HALLOW.
Billed simply as a “star-studded, wacky romantic comedy,” ACCIDENTAL LOVE is actually many things, writes Alison Hicks.
Anthony Davis spoke to composer Laura Rossi about her experience writing music for BFI Silent Film JANE SHORE, currently touring the UK.
Metaphysics, mortality and marriage sweat it out in the arid desert of Death Valley, California, in Guillaume Nicloux’s new feature, VALLEY OF LOVE.
Let last entry’s queuing situation be the only cloud on the horizon for this year’s Cannes Festival. In truth, it has been a wondrous experience.
“Queue” is a dirty word in France, and at Cannes it’s a bad word for Jack Toye in particular.
Jack Toye reviews CEMETERY OF SPLENDOUR, competing in the “Un Certain Regard” section at the 2015 Cannes Film Festival.
Live from the 2015 Cannes Film Festival, Jack Toye predicts the Palme D’Or, and reviews entries by László Nemes and Miguel Gomes.
“West End arts venues are ghettoising films and making them a province for the rich. Art should be for everybody.” We spoke to Jason Wood of HOME MANCHESTER
Jack sees his first film of the festival in the Quinzaine des Realisateurs strand, Miguel Gomes’ ARABIAN NIGHTS