One of Britain’s best arthouse auteurs delivers a transgressive tribute to one of Russia’s foremost artists, presenting him as a filmmaker, theorist, and above all as a human being.
These short films are funny, informative, inventive and entertaining, writes Garry Pope.
Love is a broad, deep and many-layered subject, and it’s an ambitious topic in any medium, let alone a short film, writes Jack Stocker.
A packed Picturehouse crowd waits excitedly for one of the Cambridge Film Festival’s main events: The SURPRISE FILM.
“No one does an intro and Q and A quite like Peter Greenaway,” says Mike Levy, reporting back from the CFF screening of EISENSTEIN IN GUANAJUATO.
The director of DANCE IRANIAN STYLE claims he wanted to avoid a sob story, but was there no way to anchor a fiction film in realism while avoiding sentimentalism?
Marc Garcia played Judas in ALL THE WAYS OF GOD, a modern-dress morality play. We spoke to him with programmer Ramon Lamarca.
Set just before the financial crisis of 2008, the characters in LIFE IN A FISHBOWL are as dysfunctional as Iceland’s banking system became.
This amazing film is for anyone whose father did the same job all his life, worked in all weathers, cared more for your happiness than his own.
Elliot Wright reviews Sinisa Dragin’s story of Romania and its relations with Yugoslavia after the end of World War 2.