As the lights of Cambridge rose in the dusk of Sunday evening, the curtains also drew to a close on the 15th British Silent Film Festival. Mike Boyd reports back from a night to remember.
Over forty years since its initial opening, Ken Russell’s towering creation emerges from its enforced purgatory. Edd Elliott takes an in depth look at THE DEVILS.
We first met director Martin Bargiel at Cambridge Film Festival 2011. Max Zeh caught up with him to talk about his award winning short AUGENBLICKE, about an upcoming foray into feature film and about the foibles of film making in general.
Student reviewer Jack McCurdy reviews ELLES, which has all the components to make a magnificent film, but doesn’t do justice to its subject matter.
Glenn Close passion project ALBERT NOBBS is an honest attempt at a touching tale, but it is badly let down by clumsy storytelling, says Jim Ross
TAKE ONE’s Mike Boyd is taking in the atmosphere and films at Sundance London, the new UK leg of Robert Redford’s world famous festival
Sean Hogan is a rising star on the British horror scene. His most recent film, THE DEVIL’S BUSINESS, garnered a bucketload of positive reviews at last year’s Film4 FrightFest. Gavin Midgley talked to Sean about the film and its production.
As the lights of Cambridge rose in the dusk of Sunday evening, the curtains also drew to a close on the 15th British Silent Film Festival. Mike Boyd reports back from a night to remember.