Hannah Clarkson reviews Watersprite’s Dusk Screenings: Woes & Wrong Doings.
Animation and revelation: prominent themes across Watersprite 2015, but particularly so for “Dusk Screenings: Weaving New Threads”.
Watersprite’s Sunday afternoon “Wild Things” screenings bring together the weirdest and most wonderful from Germany, New Zealand and Spain.
The beautiful LIFE OF RILEY has probably the single most important message that Resnais has to impart through his cinematic output, writes Noel Megahey.
Anthony Davis speaks to John Farrugia, the general manager of the new Light Cinema in Cambridge.
Day 4 of Jack’s Berlinale diary, in which Jack washes his hands in magic soap, braves a baying Wenders throng and ends up in a queue quandary.
The year is 2017. 100 years have passed since the Russian Revolution, and the landscape of UNDER ELECTRIC CLOUDS is in every sense clouded and cold.
Andreas Dresen’s tale, about a gang of childhood friends growing up in the suburbs of a reunified Germany in the early 90s, stomps and thrashes its way on to the big screen at Berlinale.
We spoke to Jannik Splidsboel at Berlinale about his film MISFITS, an LGBT coming-of-age documentary set in conservative Tulsa.
Jannik Splidsboel’s documentary, MISFITS, focusses on the challenging lives of three LGBT teenagers who use The Open Arms Youth Centre, Tulsa as their meeting place.