‘TIL MADNESS DO US PART is a world of delirium but also of sensation, patiently exposed by the director, Wang Bin. Tianyi Shen reviews at EIFF.
Closer to MYSTERIOUS SKIN than CLUELESS in its treatment of American teenagers, PALO ALTO is a fine calling card for another member of the talented Coppola clan.
Tilda Swinton is a joy to hate but Bong Joon-Ho’s editing lets down the weird and wonderful SNOWPIERCER, screened at Edinburgh International Film Festival.
A little-seen gem of a movie, with a captivating young lead and ground-breaking style, writes Sarah Lambert.
Screened at the Cameo Picturehouse as part of the EIFF shorts programme, YOUTH IN FLAMES illustrates the burning bright nature of adolescence.
Kat Candler’s debut feature HELLION is a mature study on the breakdown in a family following the crumbling away of parental responsibility, writes Jack Toye.
Tianyi Shen spoke to Burmese-Taiwanese director Midi Z at EIFF about his film ICE POISON, a dark and elegant depiction of Myanmar’s crystal meth scene.
Fans of le Carré won’t be disappointed by A MOST WANTED MAN – and Hoffman fans get another chance to say goodbye to a luminary legend of the screen and stage.
We are used to seeing Elijah Wood as a Hobbit or a hooligan, but a professor of poetry is quite something else, writes Jack Toye at the Edinburgh Film Fest.
Keith Braithwaite’s pick of the Best of British is KIND HEARTS AND CORONETS, a black comedy that packs a hidden punch.