“West End arts venues are ghettoising films and making them a province for the rich. Art should be for everybody.” We spoke to Jason Wood of HOME MANCHESTER
Jack sees his first film of the festival in the Quinzaine des Realisateurs strand, Miguel Gomes’ ARABIAN NIGHTS
“I’m sorry, I just don’t find a film about sheep or elderly shepherds that interesting, at least not in the hands of this director.”
And so, to the first full day of films at Cannes!
It’s Cannes Film Festival time, and Jack Toye is in the South of France reporting for Take One again. Blooming fantastique!
Altman’s legacy has been done few favours by the documentary made in his name, writes Andrew Nickolds. Better to learn about him from films such as THE LONG GOODBYE.
On June 19th, the ginger stepchild of David O. Russell will finally make an appearance: formerly known as NAILED, it will hit cinemas as ACCIDENTAL LOVE.
Vinterberg’s adaptation of the Hardy classic doesn’t quite gel, despite Carey Mulligan’s strong and subtle central performance, writes Andrew Nickolds.
We spoke to the creators of this hot and heavy wrestling film, screened at BFI Flare, London’s LGBT Film Festival this year.
Noah Baumbach’s self-confident latest, after his success with the charming and funny FRANCES HA, has an awful lot going for it.