Led from the front by an astonishing performance from Jack O’Connell, STARRED UP gives the British prison film exactly what it needs: a kick up the arse, writes Gavin Midgley.
UNDER THE SKIN is a curious, disquieting and perplexingly superb piece of guerilla surrealism, writes Jim Ross.
Kim Mordaunt’s THE ROCKET is an adventure set in war-ravaged Laos, seen from a feisty young boy’s point of view. Charming but predictable, writes Emma Wilkinson.
We spoke to the director of Wales One World Film Festival, which probably offers the most accurate definition of what world cinema should be, writes Hiu Chan.
When a cultural event like the Wales One World Film Festival is conducted with such passion and love, the warmth can always be felt, writes Hiu Chan.
Dolphin Burger Studios is a group of disabled animators based in Brighton. We spoke to director Harry Hunt about their latest project, a remake of Peter Gabriel’s SLEDGEHAMMER video.
Another year, another Terry Gilliam slice of imaginative dystopian hell: THE ZERO THEOREM still feels a bit humdrum for a director who is a visionary at his best.
THE VOORMAN problem is a well executed short with amusing and engaging lead performances. Jim Ross reviews the 2014 Oscars nominee.
Noel Megahey reviews the relatively simple and heart-warming tales of youthful friendship that form THE STORY OF YONOSUKE
THE GRAND BUDAPEST HOTEL is a delightful chocolate box of a film, with Wes Anderson beginning to show his artistic soul, writes Jim Ross