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Saturday, May 19, 2018

In My Room

Ulrich Köhler’s IN MY ROOM is an inventive and largely compelling take on the ‘last man on earth’ scenario, writes Tina Kendall.

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Thursday, May 17, 2018

Girls of the Sun

GIRLS OF THE SUN is told from the perspective of Mathilde who is a French journalist writing an article about “the truth” of women fighting ISIS in Kurdistan.

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Wednesday, May 16, 2018

Solo: A Star Wars Story

SOLO has a nice shiny, squeaky Disney feel to it and lacks the rugged authenticity of the other films, writes Elle Haywood at the Cannes Film Festival.

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Wednesday, May 16, 2018

The House That Jack Built

Lars Von Trier delivers another uncomfortable cinematic viewing… Elle Haywood reports back from the Cannes premiere.

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Wednesday, May 16, 2018

Cannes Film Festival Blog#1

Elle Haywood reflects on her first couple of days at the Cannes Film Festival 2018, with fellow Take One reps Tina, Juanita, Jess and Catarina.

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Tuesday, May 15, 2018

BlacKkKlansman

BLACKKLANSMAN is an astonishing comeback for Spike Lee, writes Juanita Samson.

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Thursday, May 10, 2018

Tully

Diablo Cody’s third women-in-modern-America story is sharp and comical but ends with a tricksy whiff of Shyamalan, writes Andrew Nickolds.

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Monday, April 23, 2018

The Guernsey Literary and Potato Peel Pie Society

Finding romance amid the Nazi ravages of World War 2 is nothing new in the movies, but Guernsey is a long way from Casablanca in every sense.

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Thursday, March 22, 2018

The rebellion of youth

Elle Haywood reviews and shares Sir Michael Caine’s insights into David Batty’s MY GENERATION.

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Sunday, February 25, 2018

The Post

Elle Haywood examines why “The Post” is so relevant in today’s contemporary world of journalism and political accountability.