Lepidopterism and lesbianism abound in Peter Strickland’s new feature, writes Jack Toye at the BFI London Film Fest.
Silent horror classic back from the dead!
Where does philosophy live in a world where we are saying goodbye to language? Perhaps it lies in the re-emergence of 3D in cinema?
Spend three hours in the National Gallery and there is absolutely no way you will cover as many of the goings-on as Wiseman’s documentary offers.
Edd Elliott considers the class connotations underlying David Fincher’s THE SOCIAL NETWORK.
SPARK: A BURNING MAN STORY’s enthusiasm begins delightful and ends sour, according to Arjun Sajip.
COME BACK, AFRICA is a historical document worth remembering and re-watching, according to Arjun Sajip.
Mar Coll and Nora Navas have crafted a sympathetic and human portrait of a woman in crisis, writes Rebecca Naughten.
Christian Schwochow’s 1970s-set period drama explores the Cold War division of the country, whose legacy is still felt within Germany today.
From familial concerns in LA ISLA to alien invasion in THE LANDING: Emma Wilkinson looks at the value and dexterity of short filmmaking showcased at CFF2014.