Read the Cambridge Q&A from award winning comedian Josie Long’s Let’s Go Adventure tour, which came to the Arts Picturehouse in November.
“Pure random genius.” Alison Hicks sent us this report on whether the ANCHORMAN sequel lived up to its cult predecessor.
Re-released as part of the BFI’s Gothic strand, THE INNOCENTS is a work of haunting resonance, writes Gavin Midgley.
We spoke to the writer/director/editor of BREAKFAST WITH CURTIS: a film Paul Thomas Anderson called “a smile from beginning to end”.
Abdellatif Kechiche’s Palme d’Or-winning drama is an extraordinarily vivid portrayal of the highs and lows of love, writes Gavin Midgley.
Brownlow’s beautiful and brilliant restoration of Gance’s NAPOLEON (1927) is an eye-popping spectacle, writes Amanda Randall.
Andrew Bujalski’s bizarre curio raises big questions about technology and the nature of intelligence, writes Jim Moore.
Spike Lee’s remake of OLDBOY is a noble yet pointless and perfunctory attempt to retell the story for the subtitle-phobic, writes Patrick Fowler.
Dark, witty and utterly inspired, Švankmajer’s FAUST is a work of maniacal genius, writes Hannah Clarkson.
Alexander Payne demonstrates a humanity that has defined his career with his warm, humorous road movie NEBRASKA, writes Andrew Nickolds.