Lamprecht never shirks from demonstrating the darker side of life in post-WW1 Berlin in his IN THE SLUMS OF BERLIN, writes Mark Liversidge.
The unpublished story of a musical piece inspired by the sad story of those who had to emigrate from their homeland after the Spanish civil war.
Unusual but charming is Sarah Lambert’s description of ATTILA MARCEL.
SCHOOL OF BABEL, Julie Bertuccelli’s consideration of multicultural Paris, layers the personal stories of children newly-arrived in France.
STATIONS OF THE CROSS is a rigorously structured and shot parable about a teenage girl’s single-minded devotion to her Christian faith.
20,000 DAYS ON EARTH has the feel of a hallucinatory interview, according to Carya Maharja.
Although repetitive, WATERMARK has all the capability to sweep the audience away, according to Carya Maharja.
‘They say you can learn more from a game you lose than a game you win. That’s how I got here’. Hannah Clarkson reviews FOUR CORNERS.
ON THE BOWERY is revolutionary for its time, inspiring the likes of John Cassavetes in terms of film production, shooting and dramatic methods.
VIOLET is a confident feature debut from Bas Devos, with a strength lying in its visual storytelling, writes Jim Ross at CFF34.