PETER SELLERS: THE EARLY SHORTS have problems but are oddly prescient according to Ben Dalton.
Arjun Sajip gives us a insightful tribute to one of America’s great documentary film makers, LIONEL ROGOSIN.
LOVE STEAKS is an off-kilter romantic comedy with a difference, writes Jim Moore.
Not even Colin Firth can breathe life into MAGIC IN THE MOONLIGHT, writes Sarah Dillon.
34th Cambridge Film Festival got off to a strong start with an engaging and delightfully quirky offering from French director Guillaume Nicloux. Mike Levy reviews.
The daily dose from the editors. Edd Elliott’s 5 picks for the days ahead.
We spoke to Toby Froud, whose puppet fairytale LESSONS LEARNED is one of our favourite short films at CFF this year.
THE WHITE CITY: a complex, sharply observed character study of two young Americans abroad, with the focus firmly on the journey, not the destination.
Ivan Kavanagh talks about his new film, THE CANAL, with Edd Elliott.
Part thriller, part surreal dreamscape, SEA CHILD explores ideas of narrative and memory; of the elements and of time, and most of all, of innocence and imagination.