Horror needs to be tactile and tangible, according to Hiu M. Chan, in her review of HOUSE OF WAX.
The bar is high for MONSTERS UNIVERSITY, but it doesn’t completely fail, according to Lizzie Scourfield.
“Youth” comedy can often feel forced. PETIT FRÈRE, however, feels easy and fresh. Robbie Griffiths spoke to director Rémi St-Michel about his short film.
Woollen tank-tops have never looked so cool, writes Edd Elliott.
We spoke to Kris Swanberg about her short BABY MARY, in which a little girl in Chicago takes a neglected toddler under her wing.
CHARLIE SAYS tells the brooding story of a young boy, and the consequences of a (relatively) innocent lie he tells while on holiday with his family. See it at CFF2014.
A film where nothing (and yet everything) happens, Cesc Gay’s FICTION is intensely – and authentically – romantic, writes Rebecca Naughten. See it at CFF2014.
Elegant little period shocker, with a nicely modulated performance by Vincent Price, and which gives a whole new meaning to ‘Buzz-Kill’, writes Stephen Watson.
A man drinks with his friend in a bar on his birthday… but all is not as it seems. COWBOY BEN screens as part of CFF2014′s short film strand.
An air of French sophistication, intense privacy, a peripatetic pack-rat’s mound of carefully packed-up junk and a camera around her neck. FINDING VIVIAN MAIER.