THE NICE GUYS doesn’t break any moulds and is obviously a Shane Black creation – but that is precisely why it’s good. Jim Ross reviews.
RAMS is a poignant and witty shaggy sheep story about humanity, from the land of ice and fire, writes Amanda Randall.
“Not just sex, but more. More!” Take One writer Xanthe Gilmore explains why Godard’s 1963 classic ‘Contempt’ (‘Le Mepris’) is well worth a watch
This amazing film is for anyone whose father did the same job all his life, worked in all weathers, cared more for your happiness than his own.
You might think that a 90 minute movie about egg collection would be over-egging the pudding but this strange documentary has a weirdly compelling narrative.
Based on true life events, WHITE SHADOW tells the story of Alias, an albino boy in Tanzania, as he is hunted by local witch doctors.
Alfonso Gomez-Rejon interplays serious subject matter with a comic and ever-so endearing charm, writes Jack Toye.
Ana Lily Amirpour’s A GIRL WALKS HOME ALONE AT NIGHT is a trope up-ended, with results at once gleeful and grisly, writes Ann Linden.
A warmly affectionate comic take on the horror genre, THE DAY OF THE BEAST launched Álex de la Iglesia’s career on the international stage.
David Michôd brings a new dimension to a dystopic genre that has had so much exploration already – think post-apocalyptic OF MICE AND MEN, says Jack McCurdy.
If you stick with NORTE, you will be rewarded by a rich cinematic experience; and one certainly worth the investment of 250 minutes of your time, writes Mike O’Brien.
In June 2012, Gruff Rhys of popular combo Super Furry Animals announced his second investigative concert tour of the Americas. His previous tour was the subject of SEPARADO!, in which Gruff searched South America for his long-lost uncle Rene. AMERICAN INTERIOR climbs further up the family tree and out onto its flimsiest branches, in a [...]
If you enjoyed A STORY OF CHILDREN AND FILM please take the chance to meet one of the greatest icons of Iranian cinema!
UNDER THE SKIN is a curious, disquieting and perplexingly superb piece of guerilla surrealism, writes Jim Ross.
THE GRAND BUDAPEST HOTEL is a delightful chocolate box of a film, with Wes Anderson beginning to show his artistic soul, writes Jim Ross