The Poet and the Boy
THE POET AND BOY is an aching story of missed opportunities. Serena Scateni reviews the London Korean Film Festival tour screening in Edinburgh’s Filmhouse.
THE POET AND BOY is an aching story of missed opportunities. Serena Scateni reviews the London Korean Film Festival tour screening in Edinburgh’s Filmhouse.
Bernadett Tuza-Ritter explains the story behind her documentary A WOMAN CAPTURED, which screened at the Cambridge Film Festival this year.
Mining a formative period in the life of a cultural icon, COLETTE is not only relevant but also sumptuous, scandalous and thoroughly enjoyable.
Franchises succeed by embracing the necessity of healthy change, writes Alice Pullen. But does the latest FANTASTIC BEASTS smell of success?
Anna Whealing reviews a program of particular importance – a showcase of films by female filmmakers or featuring strong female leads – at FANS Youth Film Festival.
April McIntyre reviews Panos Cosmatos’ heavy-metal, plaid-wearing, LSD-fuelled revenge thriller MANDY.
OUTLAW KING is an engaging and well made epic, but – for better or worse – is not redolent with the romanticism that allows historical epics to break out from their niche. Jim Ross reviews.
Havana Glasgow Film Festival’s short film program ‘Woman in Film’ revitalised Anna Whealing’s appreciation for film, women, Cuba, and the Spanish language.
The small moments of intimacy alone make SATURDAY CHURCH a worthwhile watch. Murray Ferguson reviews at Discovery Film Festival.
RED is an analysis or perhaps a critique of the famous painter Mark Rothko. Josh Ragan reviews.