The Favourite
THE FAVOURITE’s particular presentation of History is fictionalised, feminised and though at times frightening, fearlessly fun. Hannah Clarkson reviews.
THE FAVOURITE’s particular presentation of History is fictionalised, feminised and though at times frightening, fearlessly fun. Hannah Clarkson reviews.
INTO THE SPIDER-VERSE engages with the pop-culture mythology of the Spiderman character without ever being self-indulgent. It’s also very, very funny.
SORRY TO BOTHER YOU is a bold and distinctive vision that is rightly nowhere near as apologetic as the title. Jim Ross reviews.
Tim Wardle’s documentary follows the real-life story of identical triplets separated at birth and reunited in adulthood.
Possessing an impressive young cast and some genuinely surprising twists, TO DREAM is a tightly plotted and emotionally charged debut. Joseph McLauchlan reviews.
REVENIR is a ruthlessly interrogative documentary and the Document 2018 Jury Award winner. Naomi Gessesse reviews a film that challenges the audience to consider who has the right to tell a story.
Ayşe Toprak’s documentary allows the subjects to be the focus of the film and the audience are enamoured by these men and their bravery.
Starr Wu’s bold move to adapt one of the most important texts of Chinese literature into a contemporary story reflecting the Grindr generation falls short of its own ambition. Serena Scateni reviews at SQIFF18.
DISOBEDIENCE would have been a much more captivating tale of forbidden love if only it had freed itself of its own limitations. Serena Scateni reviews.