It Comes At Night

ITCOM_2017

Trey Edwards Shults offers an unnerving study into the inner workings of human emotion, American paranoia, and family.


Song To Song

SONGT_2017

Although beautiful, Terrence Malick’s ethereal and dreamlike approach to storytelling may finally be wearing a little thin, gripes Jim Ross at the Edinburgh Film Festival.


A Quiet Heart

AQUIE1_2017

A QUIET HEART weaves an engaging personal tale into a landscape of religious tension, writes Jim Ross from Edinburgh Film Festival.


Romans

Feature

A film that presses on raw nerve endings, Jim Ross reviews the story of a man coming to terms with childhood abuse, boasting perhaps Orlando Bloom’s paramount performance.


Baby Driver

Baby Driver | TAKE ONE

With its central story of loss, family and idealistic romance, BABY DRIVER functions as perfect five-star, popcorn entertainment. This is the Hollywood movie perfected, writes Peter Thompson.


Strange Weather

STRAN_2017

By placing her faith in her own direction and characters, and not plot histrionics, Katherine Dieckmann’s intensely personal story feels all the more universal, writes Jim Ross at Edinburgh Film Festival.


Sueño en Otro Idioma

Sueño en Otro Idioma | TAKE ONE

SUEÑO EN OTRO IDIOMA, driven by excellent visual and acting work, delivers on most of the themes in a beautiful and heartbreaking script. Jim Ross reviews at Edinburgh International Film Festival.


Access All Areas

Access All Areas | TAKE ONE

Part road-trip film, part youthful adventure, ACCESS ALL AREAS is a journey of self-discovery for four frustrated teens. Mike Boyd reviews this world premiere at the Edinburgh International Film Festival.


This Beautiful Fantastic

thisbeautifulfantastic_01-h_2017

This empty lacking. This quirky cutesy. This sugary syrupy. This irksome irritating. Jim Ross reviews THIS BEAUTIFUL FANTASTIC at the Edinburgh Film Festival.


Glory (Slava)

Glory (Slava) | TAKE ONE

GLORY (SLAVA) is an effective drama, using its characters to draw us into a bleak film infused with satire and dark humour. Jim Ross reviews from Edinburgh International Film Festival


The Dark Mile

THEDA_2017

The portrayal of sinister Scottish hicks in THE DARK MILE is, Jim Ross would like to think, mostly absurd to anyone north of the Watford Gap…


Victoria

Victoria 2

Harrowing, single-take brilliance: A visually-stunning, heart-stopping story set in the dark heart of Berlin, pushing cinematic boundaries to exhilarating heights.


Maya Dardel

Featured

Despite an engaging performance, Lena Olin is unable to save this pretentious story of a writer trying to find the executor of her estate, says Jim Ross.


A Gentle Creature

GENTLE_2017

An allegorical look at the uncompromising Russian prison system, A GENTLE CREATURE starts strong but loses its potency midway, falling into a weak finale.


Berlin Syndrome

BERLI_2017

Cate Shortland’s sexual thriller examines themes of escape, desire and dependence while bringing to life the aesthetic beauty of the German capital.


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