Eight Days A Week

What was it like to be in the Beatles at the height of Beatlemania? Ron Howard’s documentary lets us peek into the centre of the storm.
Bridget Jones’s Baby

Two films and over a decade after the last film, we’re reunited with a very different Bridget. So why is she still so likeable?
One More Time With Feeling

ONE MORE TIME WITH FEELING: in which the ever enigmatic, knowing artifice of Nick Cave is brought down to earth by the trauma that all parents fear.
Wiener-Dog

WIENER DOG lies somewhere between the comfortable, warm sofa and the miserable, cold doghouse, writes John Cheshire.
A Kind Of Loving

Studiocanal and Emfoundation are pleased to announce the release of a new restoration of the 1962 classic A KIND OF LOVING. Andrew Nickolds reviews.
Weiner

Andrew Nickolds reviews WEINER, a fast paced verite film that unfolds like a modern Shakespearean tragedy.
Homo Sapiens

HOMO SAPIENS will take you on reflective journey that encourages you to relish your inner thoughts, and contemplate what it really means to be human.
The Childhood Of A Leader

Don’t throw stones in a fragile post-WWI European glasshouse! Jack Toye reviews THE CHILDHOOD OF A LEADER at Edinburgh International Film Festival.
Zero Days

Revealing the cyber-warfare trump card behind America’s military prowess. John Cheshire reviews Alex Gibney’s latest documentary at the Edinburgh International Film Festival.
Mr Pig

What do you get when a 75 year old man goes on the run with a hog in a van? Taking similarities from Hákonarson’s RAMS, MR PIG serves both human and porcine humour.
The Nice Guys

THE NICE GUYS doesn’t break any moulds and is obviously a Shane Black creation – but that is precisely why it’s good. Jim Ross reviews.
A Hologram for the King

Despite the always-engaging Tom Hanks, the themes of A HOLOGRAM FOR THE KING feel malnourished and an imitation of better films. Jim Ross reviews.
Captain Fantastic

An intelligent trip into a counterculture family drama, Jack Toye reviews CAPTAIN FANTASTIC at the 69th Cannes Film Festival
Green Room

Andrew Nickolds reviews Jeremy Saulnier’s latest thriller GREEN ROOM.
Café Society

Woody Allen’s latest film, set in the Golden Age of Hollywood, comes under the Film Festival gaze of Jack Toye