Andrew Nickolds reviews Danny Boyle’s take on STEVE JOBS.
SONG OF THE SEA is a fun and beautiful Irish indie animation from Tomm Moore and Cartoon Saloon, soon to be released on Blu-Ray, VOD and DVD.
WARRIORS is part DODGEBALL-type underdog story, part travelogue and part polemic – Andrew Nickolds explains it all.
SPECTRE is as entertaining as Bond would be, but relies on older films and wants to have its cake and eat it too. Jim Ross reviews.
Presented at the London Film Festival in the “First Feature Film” category, THE WAIT is a delicate tale about a mother’s grief after losing her only son.
Edd Elliott reviews A Window In London, part of the BFI’s London on Film series.
Federica Roberti reviews the unusual and slow-burning thriller ROOM, adapted from Emma Donoghue’s best-selling novel, at the BFI London Film Festival.
At its best, SICARIO arrests attention and has a patience that draws out an incredibly tense atmosphere. Jim Ross reviews.
You thought FIFA was corrupt? Take a look at the body governing world cricket.
“A truly wholesome watch, maybe even John Clare would have been happy,” writes Faye Gentile.
Scriptwriter Luke Davies takes a fresh and raw approach to portraying two juxtapositional characters in LIFE, writes Faye Gentile.
One of Britain’s best arthouse auteurs delivers a transgressive tribute to one of Russia’s foremost artists, presenting him as a filmmaker, theorist, and above all as a human being.
Love is a broad, deep and many-layered subject, and it’s an ambitious topic in any medium, let alone a short film, writes Jack Stocker.
The director of DANCE IRANIAN STYLE claims he wanted to avoid a sob story, but was there no way to anchor a fiction film in realism while avoiding sentimentalism?
Set just before the financial crisis of 2008, the characters in LIFE IN A FISHBOWL are as dysfunctional as Iceland’s banking system became.