The Judge

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It’s hard to go far wrong with a star-led courtroom drama, writes Andrew Nickolds, but THE JUDGE has a pretty good try.


Maps To The Stars

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Maps To The Stars is a Cronenberg special of oddity and cool inspection, according to Kayleigh Barnes.


The Cabinet of Dr Caligari

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Silent horror classic back from the dead!


National Gallery

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Spend three hours in the National Gallery and there is absolutely no way you will cover as many of the goings-on as Wiseman’s documentary offers.


Spark: A Burning Man Story

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SPARK: A BURNING MAN STORY’s enthusiasm begins delightful and ends sour, according to Arjun Sajip.


Come Back, Africa

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COME BACK, AFRICA is a historical document worth remembering and re-watching, according to Arjun Sajip.


We All Want What’s Best For Her

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Mar Coll and Nora Navas have crafted a sympathetic and human portrait of a woman in crisis, writes Rebecca Naughten.


West

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Christian Schwochow’s 1970s-set period drama explores the Cold War division of the country, whose legacy is still felt within Germany today.


CFF Shorts: Twins 2

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From familial concerns in LA ISLA to alien invasion in THE LANDING: Emma Wilkinson looks at the value and dexterity of short filmmaking showcased at CFF2014.


Student Review: Before I Go To Sleep

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BEFORE I GO TO SLEEP is a well-structured, skilfully acted thriller which loses its effectiveness after it places its cards on the table, writes Elliot Wright.


Student Review: Palo Alto

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Although amusing and thought provoking at times, Gia Coppola’s directorial debut drives toward style over substance, writes Katrina Smith.


Shadows

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John Cassavetes’ semi-improvised debut film still has an immediacy and realism that outpaces many modern indies, writes Jim Moore.


The Day the Earth Caught Fire

The Day the Earth Caught Fire | TakeOneCFF.com

In anticipation of the BFI’s forthcoming Sci-Fi season, Gavin Midgley looks back at a landmark British entry in the genre.


Crossing Points

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CROSSING POINTS explores the memory of space and its atmosphere, according to Hannah Clarkson.


The View From Our House

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THE VIEW FROM OUR HOUSE is as much about what is unseen, as what is depicted, according to Hannah Clarkson.