Knife and Heart

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Set in the aesthetically gorgeous backdrop of Paris’ 1970’s pornography scene, KNIFE AND HEART takes viewers on a murder mystery of melodramatic love and loss.


Under the Silver Lake

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UNDER THE SILVER LAKE takes us on a hazy unfamiliar journey where most of the strange occurrences seem possible, writes Juanita Samson.


Ziggy’s Will

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Elle Haywood speaks to producer Jared Selcer about ZIGGY’S WILL, a short film screened at this year’s Cannes Film Festival.


Dogman

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Matteo Garone delivers a showpiece of raw gangsterism in the Italian suburbs, and the moral complexities of vengeance in a small town community.


In My Room

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Ulrich Köhler’s IN MY ROOM is an inventive and largely compelling take on the ‘last man on earth’ scenario, writes Tina Kendall.


Girls of the Sun

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GIRLS OF THE SUN is told from the perspective of Mathilde who is a French journalist writing an article about “the truth” of women fighting ISIS in Kurdistan.


Solo: A Star Wars Story

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SOLO has a nice shiny, squeaky Disney feel to it and lacks the rugged authenticity of the other films, writes Elle Haywood at the Cannes Film Festival.


The House That Jack Built

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Lars Von Trier delivers another uncomfortable cinematic viewing… Elle Haywood reports back from the Cannes premiere.


BlacKkKlansman

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BLACKKLANSMAN is an astonishing comeback for Spike Lee, writes Juanita Samson.


Tully

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Diablo Cody’s third women-in-modern-America story is sharp and comical but ends with a tricksy whiff of Shyamalan, writes Andrew Nickolds.


The Guernsey Literary and Potato Peel Pie Society

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Finding romance amid the Nazi ravages of World War 2 is nothing new in the movies, but Guernsey is a long way from Casablanca in every sense.


The Post

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Elle Haywood examines why “The Post” is so relevant in today’s contemporary world of journalism and political accountability.


Lawks A Mercy

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Andrew Nickolds compares two films on the same subject – the attempted round-the-world voyage by amateur sailor Donald Crowhurst, for which the term ‘ill-fated’ is a grotesque understatement …


Three Billboards Outside Ebbing, Missouri

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With THREE BILLBOARDS, McDonagh has reached again for the high bar he’s set himself, writes April McIntyre.


Happy End

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Haneke’s mischief-making social satire is reminiscent of late Bunuel, writes Andrew Nickolds.