Blood On Satan’s Claw

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British Horror doesn’t get much more weird and subversive than BLOOD ON SATAN’S CLAW, according to Edd Elliott.


‘Til Madness Do Us Part

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‘TIL MADNESS DO US PART is a world of delirium but also of sensation, patiently exposed by the director, Wang Bin. Tianyi Shen reviews at EIFF.


Little Fugitive

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A little-seen gem of a movie, with a captivating young lead and ground-breaking style, writes Sarah Lambert.


Of Horses And Men

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ʻAll the worldʼs a stageʼ perfectly describes OF HORSES AND MEN, writes Amanda Randall: aspects of life, sex and death are played out in full view in rural Iceland.


Venus in Fur

Venus in Fur | TakeOneCFF.com

Roman Polanski’s latest is a slick double hander about the power of pretending and pretending to have power, write co-authors Keith Braithwaite and Ruth Muscat.


The Queen Of Spades

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Thorold Dickinson tells the story of a man who has driven himself insane though his own obsession in THE QUEEN OF SPADES, the first of our “Best of British” features.


Jimmy’s Hall

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Jimmy’s Hall is more than its four walls, it is the promise of education, of family, of fun… Hannah Clarkson reviews Loach’s latest.


The Two Faces of January

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THE TWO FACES OF JANUARY screened recently at Manchester’s Cornerhouse, followed by a Q&A with Viggo Mortensen and Hossein Amini. Jack Stocker reviews.


Fading Gigolo

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A wry look at the world of male prostitution, with a star turn by Woody Allen, writes Sarah Lambert.


Godzilla (2014)

Godzilla | TakeOneCFF.com

GODZILLA is back: Gareth Edwards’ revival of the legendary beast is chock full of awe, but the human drama is sadly lacking, writes Gavin Midgley.


The Wind Rises

The Wind Rises | TakeOneCFF.com

Hayao Miyazaki’s final film is an ode to the power of dreams that charms from beginning to end, writes Gavin Midgley.


Blue Ruin

Blue Ruin | TakeOneCFF.com

Jeremy Saulnier’s tense and twitchy revenge drama offers plenty of suspense and a strong central performance from Macon Blair, writes Gavin Midgley.


Calvary

Calvary | TakeOneCFF.com

John Michael McDonagh’s black comedy drama reveals a 21st century Ireland unmoored from the old certainties of the past, writes Jim Moore.


Locke

Locke | TakeOneCFF.com

Tom Hardy drives to Hell in Steven Knight’s economical and compelling one-man drama, writes Gavin Midgley.


The Double

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Richard Ayoade’s THE DOUBLE is one of the most dull, yet unutterably infatuating films Jack McCurdy has watched in a long time.