We spoke to the director of Wales One World Film Festival, which probably offers the most accurate definition of what world cinema should be, writes Hiu Chan.
We spoke to Robert Löbel, the animator behind the wonderful WIND – which is one of the highlights of the Watersprite festival this weekend.
Toby Miller spoke to Ramon Zürcher, whose film “The Strange Little Cat” was one of the most talked about features at CFF2013.
We spoke to the writer/director/editor of BREAKFAST WITH CURTIS: a film Paul Thomas Anderson called “a smile from beginning to end”.
We spoke to the director of KUMA about the great gamble of filmmaking, features vs. shorts and working under Michael Haneke at Vienna Film Academy.
Anthony Davis spoke to Toby Amies about his documentary THE MAN WHOSE MIND EXPLODED, a touching portrait of an ageing maverick amnesiac.
After the screening of his biopic, John Otway spoke to Take One about his experience of the Cambridge Film Festival.
DELIGHT guides audiences into universal themes of trauma, love and escapism with a delicate hand and sensitive direction. We spoke to director Gareth Jones.
Ahead of cult indie showcase TRIDENTFEST on Friday, we spoke to Carl Peck about the work of Project Trident and their plans for this year.
We spoke to Jonny Phillips, whose film is one of the shortest and most powerful screened at this year’s Cambridge Film Festival.
DEAD CAT is a funny, thoughtful film about being 30-something and realising what is important: it’s a kind of coming of age film for adults, writes Amanda Randall.
We speak to have-a-go heroes Gil Kofman and Tanner Barklow about culture clash and production hell in the Orient: don’t miss UNMADE IN CHINA.
Imagine an episode of Reginald Perrin scripted by Eugène Ionesco and you might conjure the spirit of OUR NAME IS MICHAEL MORGAN, screening at CFF2013. We spoke to director Maurice Caldera.
Horror extravaganza Film4 FrightFest is important to so many people – Edd Elliott speaks to organiser Alan Jones to find out why.
Toby Miller of Cambridge 105’s Bums On Seats interviewed City Screen’s Gabriel Swartland about the film’s multi-platform release.