We spoke to producer Paul Andrews about his latest project, an Indiegogo campaign to fund a documentary on the life and legacy of gaming legend Sir Clive Sinclair.
Toby Miller speaks to the director of AYANDA about the production of her hotly anticipated film, and the glass ceiling faced by female filmmakers in South Africa.
Anthony Davis spoke to Claudio Zulian, the creator of the film BORN, which screened at this year’s Cambridge Film Festival.
Garry Pope spoke to Harry Baker about his thrilling short film THE SWALLOW, the story of a honey trap set in nineteen sixties Soho.
Marc Garcia played Judas in ALL THE WAYS OF GOD, a modern-dress morality play. We spoke to him with programmer Ramon Lamarca.
We spoke to director Matt Sadowski about his film PRETEND WE’RE KISSING, which he refers to as a “non rom-com”.
We spoke to filmmaker Daisy Aitkens about her CFF Short Fusion contribution 96 WAYS TO SAY I LOVE YOU.
Visionary director LECH MAJEWSKI discusses his latest trilogy and the role of painting and philosophy in his work.
Stephen Watson speaks to Kyle Rideout about his film EADWEARD, a drama focusing on a period in the life of pioneering photographer Eadweard Muybridge.
Edd Elliott interviews Emma Eliza Regan on her new film DARKNESS ON THE EDGE OF TOWN.
Edinburgh Filmhouse’s chief projectionist David Boyd offers a fascinating insight into how things work behind the scenes at the Edinburgh Film Fest.
MAKING WAVES is not only a portrait of the artist Marc Quinn, but Gerry Fox gives a sense of the huge range of work that he does.
Emily Greenwood creates what she would call ‘intelligent mainstream’. We spoke to her about her short, the captivating and original COLD WARRIOR.
Chus de Castro’s LOVE CRISIS spreads a message filled with hope for the worldwide financial crisis, with an approach that’s sociological rather than political.
Alison Hicks reviews THE VOICES, and speaks to creator Marjane “Persepolis” Satrapi about this surprisingly funny film featuring an abundance of body parts stacked in Tupperware.