First Cow
Riding on the cheers from its success at Sundance, FIRST COW floats its way into the competition at the 70th Berlinale with a charming story about the entrepreneurial adventures of two friends and a cow. Elle Haywood reviews.
Category Archives: Festival Coverage
Sin Señas Particulares
A visually stunning first feature from director Fernanda Valadez, SIN SEÑAS PARTICULARES is a beautifully shot story of a maternal odyssey of loss. Jim Ross reviews the 2020 Sundance selection.
Wildland
WILDLAND is a slow but compelling film that dissects the complexities between family loyalty and the faux-tender inevitabilities the still familial criminal world. Elle Haywood reviews.
My Salinger Year
Quaint and charming, MY SALINGER YEAR (directed by Philippe Falardeau) is a fitting and enjoyable opening to the 70th Berlinale. Set in New York in 1995, the story takes us through Joanna’s (Margaret Qualley) time at a literary agency after fleeing her academic pursuits at Berkeley. With an air of innocence and ambition, Joanna winds … Continue reading My Salinger Year
Vai
A sprawling and ambitious project involving nine female filmmakers from the South Pacific region, VAI is a superb achievement. The film manages to communicate the essence of common experiences whilst retaining cultural specificity. That the collection achieves this with a visual vibrancy and tonal coherence makes it all the more remarkable. The film’s team describe … Continue reading Vai
Miss Americana
Among its moments of raw vulnerability, and focus on Swift’s personal growth narrative, the biggest takeaway of MISS AMERICANA is its passionate encouragement of young people: to use their voices. Courtney Ibbotson on the Sundance selection.
Murmur
MURMUR illuminates a profound human connection to the realities of alcoholism, but more so to the obstacles that obstruct our desire to change. Steph Brown reviews.
Luxor
With a delicate and naturalistic performance at the centre from Andrea Riseborough, Zeina Durra’s LUXOR succeeds at painting a portrait of one of life’s pauses for thought; one of the strange stasis and emotions that develop when contemplating one’s life in a once-familiar place. Jim Ross reviews the Sundance selection.
Higher Love
HIGHER LOVE is a hauntingly heartbreaking film and reveals that Nani is just a drop in a very large ocean of people left behind in a system and a world that sees everything in black and white. Sammy Andie Bennett reviews.
This Is Not a Burial, It’s a Resurrection
There are strong ecclesiastical tones to Lemohang Jeremiah Mosese’s film which give it a melancholic beauty through which to ponder the intersections of identity, being alive, and community. Jim Ross reviews.