Twilight to Twilight

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It is quite amazing, the level of abuse a man will receive for openly stating that he will be attending a TWILIGHT marathon – or “Twiathlon”. In fact, unless the next words out of your mouth are “I’m writing a review” you might as well leave any male – and quite a few female – friendships behind.


Project Trident: November

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The Cambridge Film Festival’s in-house film collective PROJECT TRIDENT have released a new film to promote Movember.


London Korean Film Festival 2011

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2010 marked the London Korean Film Festival’s fifth anniversary with their biggest events to date but 2011 sees the start of a new era for the festival where they are striving to bring even more of the best of Korean cinema, past and present, to the UK shores.


The closing of CAFF, Mwansa The Great and interview with director Rungano Nyoni

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The Cambridge African Film Festival drew to a close last week, summing up the extraordinary work pouring out of Africa with a set of shorts from various countries on the continent (see www.cambridgeafricanfilmfestival.org.uk for more information). The last of these was MWANSA THE GREAT – a wonderfully crowd-pleasing adventure into the heart and mind of [...]


Dreams of Elbidi (Ndoto Za Elbidi)

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Rosy Hunt attended DREAMS OF ELBIDI, a unique fusion of community theatre and traditional cinema. It offers not only a dramatisation of Kenyan ghetto life, but a way to entertain its African audience while educating them about HIV and AIDS. Also featured: transcript from the Q&A with Kamau wa Ndung’u.


Cute Robots

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Jen Williams compares the Pixar hero WALL-E to his predecessors Huey, Dewie and Louie.


The First Cambridge Film Festival

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David Perilli in conversation with the original CFF programmer David Jakes.


Simon Rumley Talks to Take One

Simon Rumley talks to TakeOne Magazine | TakeOne | TakeOneCFF.com | Photo by Tom Catchesides (http://catchesides.co.uk)

Rosy Hunt spoke to Simon Rumley and Bob Portal about THE LIVING AND THE DEAD and RED, WHITE AND BLUE


A Boatload of Wild Irishmen

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Lucy Hughes looks at the work of the charismatic and gregarious documentary pioneer Robert Flaherty