April McIntyre looks at how THELMA AND LOUISE, which turned 25 this year, influenced future filmmakers by putting women behind the wheel.
Bob Furmanek tells Toby Miller how attempts at 3D filmmaking are almost as old as cinema itself.
Ben Johnston discusses our obsession with seeing our favourite musicians on the big screen.
Jim Ross examines how the movie universes being created will eventually collapse, and be subject to the same science and laws as our own universe.
Sombre, reflective and as divisive as ever at the Cannes Film Festival, Jack Toye reviews Xavier Dolan’s latest feature
If you stand tall, the wolves won’t attack. Jack Toye reviews Alain Guiraudie’s latest feature, in competition at the Cannes Film Festival
We invite our readers to put this in their pipes and smoke it: Hannah Clarkson sets her sights on Tarkovsky.
Come to the horror themed Reel Women event at the Cambridge Arts Picturehouse Bar. There won’t be a dry seat in the house…
“Not just sex, but more. More!” Take One writer Xanthe Gilmore explains why Godard’s 1963 classic ‘Contempt’ (‘Le Mepris’) is well worth a watch
Edd Elliott interviews Karen Guthrie about her new release THE CLOSER WE GET.
“No one does an intro and Q and A quite like Peter Greenaway,” says Mike Levy, reporting back from the CFF screening of EISENSTEIN IN GUANAJUATO.
Visionary director LECH MAJEWSKI discusses his latest trilogy and the role of painting and philosophy in his work.
Stephen Watson offers an introduction to Lech Majewski’s visually inspiring and intellectually stimulating cinematic works, screening at CFF2015
Mike Levy recounts the highlights from Sonja Heiss’s Q&A following HEDI SCHNEIDER GETS STUCK.
Mike Levy provides some of the highlights from Gemma Craven and Daniel Cerquiera’s post-RADIATOR Q&A.