“Not just sex, but more. More!” Take One writer Xanthe Gilmore explains why Godard’s 1963 classic ‘Contempt’ (‘Le Mepris’) is well worth a watch
Edd Elliott interviews Karen Guthrie about her new release THE CLOSER WE GET.
“No one does an intro and Q and A quite like Peter Greenaway,” says Mike Levy, reporting back from the CFF screening of EISENSTEIN IN GUANAJUATO.
Visionary director LECH MAJEWSKI discusses his latest trilogy and the role of painting and philosophy in his work.
Stephen Watson offers an introduction to Lech Majewski’s visually inspiring and intellectually stimulating cinematic works, screening at CFF2015
Mike Levy recounts the highlights from Sonja Heiss’s Q&A following HEDI SCHNEIDER GETS STUCK.
Mike Levy provides some of the highlights from Gemma Craven and Daniel Cerquiera’s post-RADIATOR Q&A.
Like D.W. Griffith in America and F.W. Murnau in Germany, Sjöström in Sweden was a pioneer, a technical innovator, and a great artist in the early days of film.
Garry Pope reports back from Grantchester Meadows, at the CFF MOVIES ON THE MEADOWS screening of 2001: A SPACE ODYSSEY
Anthony Davis spoke to Magali Pettier, farmer’s daughter and director of ADDICTED TO SHEEP which follows a year in the lives of two sheep farmers.
From Fassbinder to THE FIRE, Faust Lerner offers an overview of this year’s New German Cinema strand at CFF.
Edd Elliott gives a low down of the under-the-radar themes of this year’s Cambridge Film Festival.
McKellen’s Holmes is where the heart is, writes Xanthe Gilmore.
Arrow Films aren’t just purveyors of cult cinema – they are also a multi-platform distributor of TV from around the world, most recently HOSTAGES.
Relying on bawdy humour and a hip, anti-establishment attitude, MEATBALLS is set in a summer camp for misfits overseen by head counsellor Tripper (Bill Murray in his first starring role).