Jim Ross examines how the movie universes being created will eventually collapse, and be subject to the same science and laws as our own universe.
Sombre, reflective and as divisive as ever at the Cannes Film Festival, Jack Toye reviews Xavier Dolan’s latest feature
If you stand tall, the wolves won’t attack. Jack Toye reviews Alain Guiraudie’s latest feature, in competition at the Cannes Film Festival
We invite our readers to put this in their pipes and smoke it: Hannah Clarkson sets her sights on Tarkovsky.
Come to the horror themed Reel Women event at the Cambridge Arts Picturehouse Bar. There won’t be a dry seat in the house…
“Not just sex, but more. More!” Take One writer Xanthe Gilmore explains why Godard’s 1963 classic ‘Contempt’ (‘Le Mepris’) is well worth a watch
Edd Elliott interviews Karen Guthrie about her new release THE CLOSER WE GET.
“No one does an intro and Q and A quite like Peter Greenaway,” says Mike Levy, reporting back from the CFF screening of EISENSTEIN IN GUANAJUATO.
Visionary director LECH MAJEWSKI discusses his latest trilogy and the role of painting and philosophy in his work.
Stephen Watson offers an introduction to Lech Majewski’s visually inspiring and intellectually stimulating cinematic works, screening at CFF2015
Mike Levy recounts the highlights from Sonja Heiss’s Q&A following HEDI SCHNEIDER GETS STUCK.
Mike Levy provides some of the highlights from Gemma Craven and Daniel Cerquiera’s post-RADIATOR Q&A.
Like D.W. Griffith in America and F.W. Murnau in Germany, Sjöström in Sweden was a pioneer, a technical innovator, and a great artist in the early days of film.
Garry Pope reports back from Grantchester Meadows, at the CFF MOVIES ON THE MEADOWS screening of 2001: A SPACE ODYSSEY
Anthony Davis spoke to Magali Pettier, farmer’s daughter and director of ADDICTED TO SHEEP which follows a year in the lives of two sheep farmers.