What, who and why female Ghostbusters?
Edd Elliott discusses Hacked Off Films and the complexity of Immersive Cinema.
The tl;dr version of this Editor Blog is: we love you and we hope we’re helping you enjoy your voyage of discovery through the festival programme as much as we are.
Edd attempts to unravel his biscuit and ukulele problems.
Jim rediscovers the small delights — and irritations — of the Cambridge Film Festival.
Bucket List of the Festival. If you don’t do it you’ll be forcibly removed from the Picturehouse!
The daily dose from the editors. Edd Elliott’s 5 picks for the days ahead.
Ten reasons why Rosy loves GODZILLA.
The recommendations of the Competition Commission will not achieve what they want and misunderstand the local cinema scene in Cambridge, writes Jim Ross
Jim Ross wonders if a movie about Grumpy Cat is an indicator of rude health for cinema, rather than a sign of depressing decay.
Gavin Midgley argues the case for why Cineworld’s buyout of the Picturehouse chain might be a good thing.
Following a public lecture at the University of York, Robert Weatherall shares his notes on the relationship between science fact and science fiction in film.
After being called fat by Gallo – “One day I will be thin, but Vincent Gallo will always be the director of The Brown Bunny.” #EbertQuotes
Has anyone else noticed that Hollywood has a strange way of making two films about the same subject, often released at the same or similar time? I’m not talking about remakes (or reimaginings) of foreign films (for example, GIRL WITH THE DRAGON TATTOO or LET ME IN), nor about sequels or threequels – not even [...]
In early Spring, arthouse and mainstream films rub shoulders in a way they rarely do during summer or winter. A good film is a good film, no matter where it’s from or where you see it, writes Associate Editor Gavin Midgley.