COME TO DADDY mines the father-son conflict as the primary source of uneasiness, revising expectations about the importance of filial responsibility and raising important questions about the status of contemporary masculinity. Tina Kendall reviews the FrightFest 2019 choice.
Tina Kendall reviews Werner Herzog’s new film FAMILY ROMANCE, LLC from Cannes Film Festival 2019.
THE CLIMB is an American comedy screened as part of the Un Certain Regard selection of the 72nd Cannes Film Festival – Tina Kendall reviews.
French black comedy DEERSKIN (LE DAIM), screened as part of the Director’s Fortnight selection at the 72nd Cannes Film Festival.
Céline Sciamma draws on a rich set of literary and visual intertexts for PORTRAIT OF A LADY ON FIRE to create a gripping love story. Tina Kendall reviews at Cannes 2019.
Ulrich Köhler’s IN MY ROOM is an inventive and largely compelling take on the ‘last man on earth’ scenario, writes Tina Kendall.
