• 120 BPM Feat

    Monday, October 23, 2017 ·

    120 BPM might be the first film to successfully capture the larger experience of HIV and AIDS sufferers while not losing sight of their struggle on a personal level, writes Mark Liversidge.

    120 BPM

  • WELL1_2017

    Monday, October 23, 2017 ·

    Four sex workers and two gangsters walk into a gas station… Sounds like a setup for a Quentin Tarantino film? WELL certainly has its share of humour and cartoonish violence, writes Noel Megahey

    Well

  • INTHE1_2017

    Monday, October 23, 2017 ·

    The theme of Catalan director Rudy Gnutti’s latest work is no less than the future of mankind (spoiler alert: some hope – but not that much).

    In the Same Boat

  • No Lands Song Feat

    Sunday, October 22, 2017 ·

    A thought-provoking look at women’s rights in Iran, through the power of the female voice.

    No Land’s Song

  • lingur

    Sunday, October 22, 2017 ·

    Q&A with Erlingur Thoroddsen, the director of RIFT, hosted by Rosy Hunt, at the Cambridge Film Festival 2017

    Q&A with the director of RIFT

  • Tonight She Comes Feat

    Sunday, October 22, 2017 ·

    TONIGHT SHE COMES is a smorgasbord of over-the-top gore, sex, evil hillbillies, satanic blood sacrifices and the supernatural, writes April McIntyre.

    Tonight She Comes

  • IAMAS1_2017

    Sunday, October 22, 2017 ·

    Are we the spies, or the spied upon? How does the personal become public and the public become personal?

    Microcinema: I am a Spy

  • VICTO_2017

    Saturday, October 21, 2017 ·

    VICTORIA & ABDUL is a British feel-good film with an uncomfortable undertone of historical revisionism, writes Ben Jones.

    Victoria & Abdul

120 BPM Feat
Monday, October 23, 2017

120 BPM

120 BPM might be the first film to successfully capture the larger experience of HIV and AIDS sufferers while not losing sight of their struggle on a personal level, writes Mark Liversidge.

WELL1_2017
Monday, October 23, 2017

Well

Four sex workers and two gangsters walk into a gas station… Sounds like a setup for a Quentin Tarantino film? WELL certainly has its share of humour and cartoonish violence, writes Noel Megahey

INTHE1_2017
Monday, October 23, 2017

In the Same Boat

The theme of Catalan director Rudy Gnutti’s latest work is no less than the future of mankind (spoiler alert: some hope – but not that much).

No Lands Song Feat
Sunday, October 22, 2017

No Land’s Song

A thought-provoking look at women’s rights in Iran, through the power of the female voice.

lingur
Sunday, October 22, 2017

Q&A with the director of RIFT

Q&A with Erlingur Thoroddsen, the director of RIFT, hosted by Rosy Hunt, at the Cambridge Film Festival 2017

Tonight She Comes Feat
Sunday, October 22, 2017

Tonight She Comes

TONIGHT SHE COMES is a smorgasbord of over-the-top gore, sex, evil hillbillies, satanic blood sacrifices and the supernatural, writes April McIntyre.

IAMAS1_2017
Sunday, October 22, 2017

Microcinema: I am a Spy

Are we the spies, or the spied upon? How does the personal become public and the public become personal?

VICTO_2017
Saturday, October 21, 2017

Victoria & Abdul

VICTORIA & ABDUL is a British feel-good film with an uncomfortable undertone of historical revisionism, writes Ben Jones.

The cinema Travellers Feat
Saturday, October 21, 2017

The Cinema Travellers

THE CINEMA TRAVELLERS is bumbling and sweet, while also being a fierce tour de force of filmmaking skill, writes Emma Wilkinson.

WONDE1_2017
Saturday, October 21, 2017

Virtual Reality at CFF

Toby Miller of Bums on Seats at Cambridge 105 spoke to Emma Hughes, coordinator for Limina Immersive, about the VR experience available at the Cambridge Film Festival CFF this year.

anglia.ac.uk/openday