We spoke to Simon Rumley about his film JOHNNY FRANK GARRETT’S LAST WORD, set for release on March 14th after screening at Cambridge Film Festival last year.
MOONLIGHT is not a portrait painted in broad brushstrokes, but a tapestry – any one strand can be admired for its own technique and qualities, but standing back to observe the whole is where the power lies. Jim Ross reviews.
LOGAN tells an involving and impactful story, with Hugh Jackman’s send off the best use of a superhero property in years. Jim Ross reviews.
Johnson’s personal memoir, made up of other people’s stories, offers an incredibly insightful look into the reality of documentary filmmaking.
CERTAIN WOMEN moves at its own deliberate pace, allowing the performances to blossom amid the unforgiving Badlands, writes Andrew Nickolds.
VICEROY’S HOUSE keeps the seismic events of 1947 India in the background as they unfold, while bringing the human drama to the fore.
Supernatural thriller THE WAILING ranks Hong-jin Na alongside some of the finest Korean auteurs working today, writes Harry Jones.
THE UNKNOWN GIRL is the new social realist mystery film written and directed by prolific Belgian duo Jean-Pierre and Luc Dardenne.
Jim Ross examines the unique place of TRAINSPOTTING in Scottish pop culture and how T2 TRAINSPOTTING captures the progression of a nation since the original
Mike Mills transports us back to 1979 Santa Barbara, complete with waning hippie culture, the death throes of punk and the rise of female identity.