Faye Gentile interviews Daniel Fawcett artist and director behind SPLENDOR SOLIS
Rosy Hunt reviews HORSE MONEY, the latest and perhaps the greatest Fontainhas feature from Pedro Costa.
If there is one true rule of filmmaking, it is this: You don’t kill the dog.
Claudio Zulian splashes on the light and architecture in this historical slice of Barcelona in the 18th century.
Edd Elliott compares festival films.
Dare your subconscious to concoct some homebrew version of LET THE RIGHT ONE IN and ÊTRE ET AVOIR and you might ferment something like CHILDREN OF THE NIGHT.
Frank Hall Green’s WILDLIKE uses the strong imagery of the Alaskan wilderness to propel a simple yet engaging storyline, writes Yozzie Osman.
Hear Catalonia and you might think sun, sand and sangria. Sylvia Munt’s drama basks in few such pleasures.
CFF’s German shorts are united in their appeals to the rawest elements of human experience: estrangement, desperation and our ultimate need for hope.
“A joyful experience…” Garry Pope reviews the short film strand FUSION: LOVE & DEATH.