• MYFRI_2017

    Saturday, September 23, 2017 ·

    John Cheshire reviews MY FRIEND DAHMER, which is performing well at Tribeca, Cannes and Deauville Film Festivals and fast approaching its cinema release,

    My Friend Dahmer

  • CROWHU_2017

    Wednesday, September 20, 2017 ·

    CROWHURST is a true story of British derring-do which goes severely wrong. It represents the flip-side of the British Empire — a tale of adventure and exploration that was never taught in schools.

    Crowhurst

  • MOTHE_2017

    Tuesday, September 19, 2017 ·

    A face in the flames, a red veined glass ingot and a rotting house on the brink of collapse. Aronofsky’s MOTHER! begins as it ends, writes John Cheshire.

    Mother!

  • THEBI_2017

    Tuesday, August 29, 2017 ·

    The Big Sick lures audiences in with gooey, romantic squishiness – before delving into more serious (but still hilarious) territory, writes April McIntyre.

    The Big Sick

  • Frightfest

    Tuesday, August 29, 2017 ·

    #takeonerecommends five fine Frightfest films from 2017.

    Frightfest 2017 #1

  • Attesa1

    Sunday, August 20, 2017 ·

    Our series of features focusing on Italian cinema begins with Noel Megahey’s reflections on L’ATTESA, based on a play by Luigi Pirandello.

    Focus on Italy: L’Attesa

  • MYCOU_2017

    Thursday, July 27, 2017 ·

    The new MY COUSIN RACHEL adaptation is a competent melodrama, but one that never sinks its hooks in deep enough, writes Roshan Matharu.

    My Cousin Rachel

  • caretaker-feature

    Friday, July 21, 2017 ·

    A dark story in a beautiful setting, Mike Boyd finds EL HOMBRE QUE CUIDA unsettling but highly engaging, at the Durban International Film Festival.

    El Hombre Que Cuida (The Caretaker)

MYFRI_2017
Saturday, September 23, 2017

My Friend Dahmer

John Cheshire reviews MY FRIEND DAHMER, which is performing well at Tribeca, Cannes and Deauville Film Festivals and fast approaching its cinema release,

CROWHU_2017
Wednesday, September 20, 2017

Crowhurst

CROWHURST is a true story of British derring-do which goes severely wrong. It represents the flip-side of the British Empire — a tale of adventure and exploration that was never taught in schools.

MOTHE_2017
Tuesday, September 19, 2017

Mother!

A face in the flames, a red veined glass ingot and a rotting house on the brink of collapse. Aronofsky’s MOTHER! begins as it ends, writes John Cheshire.

THEBI_2017
Tuesday, August 29, 2017

The Big Sick

The Big Sick lures audiences in with gooey, romantic squishiness – before delving into more serious (but still hilarious) territory, writes April McIntyre.

Frightfest
Tuesday, August 29, 2017

Frightfest 2017 #1

#takeonerecommends five fine Frightfest films from 2017.

Attesa1
Sunday, August 20, 2017

Focus on Italy: L’Attesa

Our series of features focusing on Italian cinema begins with Noel Megahey’s reflections on L’ATTESA, based on a play by Luigi Pirandello.

MYCOU_2017
Thursday, July 27, 2017

My Cousin Rachel

The new MY COUSIN RACHEL adaptation is a competent melodrama, but one that never sinks its hooks in deep enough, writes Roshan Matharu.

caretaker-feature
Friday, July 21, 2017

El Hombre Que Cuida (The Caretaker)

A dark story in a beautiful setting, Mike Boyd finds EL HOMBRE QUE CUIDA unsettling but highly engaging, at the Durban International Film Festival.

film_katikati-feature
Thursday, July 20, 2017

Kati Kati

An extraordinary work of film art, using classic techniques to tell a beautiful and thought-provoking story, says Mike Boyd at the Durban International Film Festival.

Liyana-feature
Wednesday, July 19, 2017

Liyana

An inspirational tale of a group of children brought together by a fictional character, showing the power of storytelling, says Mike Boyd at the Durban International Film Festival.