“A nastily intimate encounter with a poisoned mind…” Patrick Capaloff Fowler reviews RUST, a powerful short screening this weekend at Watersprite Film Festival.
Academic researcher Hiu Chan muses on the issues behind NO JET LI, a witty examination of diaspora Chinese identity filmed in collaboration with Yellow Earth.
Jarmusch’s spin on the vampire tale manages to breathe life back into the most (un)dead of tropes, writes Jim Moore.
One of those rare sequels that surpasses the original, THE WRATH OF KHAN remains the high point of the Trek franchise, writes Gavin Midgley.
The Nordic Giants continue to bring their euphoric post-rock cinema experience to unusual locations across the UK; Jack Stocker reports back from Manchester’s Ruby Lounge.
Laced with humanity and softly tragic humour, Spike Jonze’s HER is an emotionally packed film that will tease out pensive moments, writes Jim Ross
THE MONUMENTS MEN, although entertaining in spurts, wastes an excellent premise and extremely talented cast with an uneven tone and script, writes Jim Ross
Neither a complete failure nor entirely successful, ROBOCOP 2.0 scrapes a pass but can’t escape the shadow of its forebear, writes Gavin Midgley.
Although lacking sparks of drama and originality to be burnt into the memory, the positives of OUT OF THE FURNACE marginally outweigh that drawback, writes Jim Ross
Schlesinger’s nuanced, knowing DARLING – screened at Cambridge APH earlier this month – is a great example of British cinematic innovation, writes Sarah McIntosh.