Ann Linden attended Framing Pictures, a free monthly event held at the Northwest Film Forum in Seattle, which offers an opportunity to discuss cinema with several of Seattle’s prominent film critics.
The Oxford Film Festival 2012 is a collaboration of Oxford University and Oxford Brookes. Edd Elliott spoke to student organiser Pascoe Foxell about last year’s success and this year’s promise.
Ann Linden attended Framing Pictures, a free monthly event held at the Northwest Film Forum in Seattle, which offers an opportunity to discuss cinema with several of Seattle’s prominent film critics.
Harry’s a corpse, and everyone who stumbles across him seems to have an alternate explanation for his death. Alfred Hitchcock’s black comedy screens at the Grand Illusion in 35mm.
The Oxford Film Festival 2012 is a collaboration of Oxford University and Oxford Brookes. Edd Elliott spoke to student organiser Pascoe Foxell about last year’s success and this year’s promise.
When a film starts with someone pulling strange faces, it can negatively influence the audience’s perception. David Cronenberg’s A DANGEROUS METHOD quickly proves this first impression wrong, says Max Zeh.
THE WOMAN IN THE FIFTH is an enigmatic film that is both a peculiar drama and an elusively curious psychological thriller featuring a wealth of fine performances, says Ed Frost
Bernard Josse and Gérard Rouy’s brilliant study of German free jazz musician Peter Brötzmann’s life and work, which screened recently at Grand Illusion Cinema in Seattle.