• JOHNN1_2017

    Wednesday, March 15, 2017 ·

    We spoke to Simon Rumley about his film JOHNNY FRANK GARRETT’S LAST WORD, set for release on March 14th after screening at Cambridge Film Festival last year.

    Last Word In Edgeways

  • Moonlight | TAKE ONE | TakeOneCFF.com |

    Tuesday, March 14, 2017 ·

    MOONLIGHT is not a portrait painted in broad brushstrokes, but a tapestry – any one strand can be admired for its own technique and qualities, but standing back to observe the whole is where the power lies. Jim Ross reviews.

    Moonlight

  • LOGAN1_2017

    Tuesday, March 14, 2017 ·

    LOGAN tells an involving and impactful story, with Hugh Jackman’s send off the best use of a superhero property in years. Jim Ross reviews.

    Logan

  • CAMER_2017

    Tuesday, March 14, 2017 ·

    Johnson’s personal memoir, made up of other people’s stories, offers an incredibly insightful look into the reality of documentary filmmaking.

    Cameraperson

  • CERTA_2017

    Wednesday, March 8, 2017 ·

    CERTAIN WOMEN moves at its own deliberate pace, allowing the performances to blossom amid the unforgiving Badlands, writes Andrew Nickolds.

    Certain Women

  • VICER_2017

    Sunday, March 5, 2017 ·

    VICEROY’S HOUSE keeps the seismic events of 1947 India in the background as they unfold, while bringing the human drama to the fore.

    Viceroy’s House

  • THEWA1_2017

    Saturday, March 4, 2017 ·

    Supernatural thriller THE WAILING ranks Hong-jin Na alongside some of the finest Korean auteurs working today, writes Harry Jones.

    The Wailing

  • THEUN_2017

    Friday, March 3, 2017 ·

    THE UNKNOWN GIRL is the new social realist mystery film written and directed by prolific Belgian duo Jean-Pierre and Luc Dardenne.

    The Unknown Girl

JOHNN1_2017
Wednesday, March 15, 2017

Last Word In Edgeways

We spoke to Simon Rumley about his film JOHNNY FRANK GARRETT’S LAST WORD, set for release on March 14th after screening at Cambridge Film Festival last year.

Moonlight | TAKE ONE | TakeOneCFF.com |
Tuesday, March 14, 2017

Moonlight

MOONLIGHT is not a portrait painted in broad brushstrokes, but a tapestry – any one strand can be admired for its own technique and qualities, but standing back to observe the whole is where the power lies. Jim Ross reviews.

LOGAN1_2017
Tuesday, March 14, 2017

Logan

LOGAN tells an involving and impactful story, with Hugh Jackman’s send off the best use of a superhero property in years. Jim Ross reviews.

CAMER_2017
Tuesday, March 14, 2017

Cameraperson

Johnson’s personal memoir, made up of other people’s stories, offers an incredibly insightful look into the reality of documentary filmmaking.

CERTA_2017
Wednesday, March 8, 2017

Certain Women

CERTAIN WOMEN moves at its own deliberate pace, allowing the performances to blossom amid the unforgiving Badlands, writes Andrew Nickolds.

VICER_2017
Sunday, March 5, 2017

Viceroy’s House

VICEROY’S HOUSE keeps the seismic events of 1947 India in the background as they unfold, while bringing the human drama to the fore.

THEWA1_2017
Saturday, March 4, 2017

The Wailing

Supernatural thriller THE WAILING ranks Hong-jin Na alongside some of the finest Korean auteurs working today, writes Harry Jones.

THEUN_2017
Friday, March 3, 2017

The Unknown Girl

THE UNKNOWN GIRL is the new social realist mystery film written and directed by prolific Belgian duo Jean-Pierre and Luc Dardenne.

T2 TRAINSPOTTING | TakeOneCFF.com
Monday, February 27, 2017

Choose Looking Up Old Flames

Jim Ross examines the unique place of TRAINSPOTTING in Scottish pop culture and how T2 TRAINSPOTTING captures the progression of a nation since the original

20THC_20171
Thursday, February 23, 2017

20th Century Women

Mike Mills transports us back to 1979 Santa Barbara, complete with waning hippie culture, the death throes of punk and the rise of female identity.